My past commentary on Olympia Nelson’s image, Art Monthly and Bill Henson
I appeared briefly on Australian story last night in a piece about Olympia Nelson, inspired by her significant piece on the rise of the selfie, ‘Dark undercurrents of teenage girls selfies’, published in The Sydney Morning Herald, July 11, 2003, and reprinted here.
Because a much longer interview was cut (as is often the case – I’m not complaining, it’s the nature of media and having ones opinions quoted anywhere is a privilege), some of my thinking on the issue of sexualisation, sexuality, selfies, and the debate around the depiction of children in art, was not included. I wanted to put on the record views expressed earlier, for a more complete picture. I’d like to say straight up that I find Polexini Papapetrou’s art quite beautiful and evocative. And it wasn’t Olympia’s naked image in and of itself that was the main problem for myself and my colleagues (we don’t have an issue with nudity per se). There is an important context that needs to be considered.
The publishing of the naked image of then six-year-old Olympia Nelson on the cover of Art Monthly in July 2008 was in protest against the response to Bill Henson’s naked artwork of children, particularly an image of a young topless girl with budding breasts featuring in a promotional invitation to his latest exhibition. I commented on Henson’s work here (photos redacted but can be viewed here).
Henson’s sexualised depictions of young girls: calling it art doesn’t make it OK
I haven’t seen the latest photographs by artist Bill Henson to go on show at Tolarno Galleries in Melbourne.
But I have seen these.
So I know what Henson is capable of and how he likes to depicts and shoot young girls.
The girl (image to the right) who featured naked on the invite to the Roslyn Oxley gallery was 13. While that photo was widely circulated, an even more graphic one of another girl (image to the left) was not. She is ‘Untitled 1985/86’, quietly auctioned by Menzies Art Brands, Lot 214, for $3800, only weeks after the original Henson controversy.
And when Tolarno Galleries refuses to reveal the age of the youngest naked girl in the new exhibition, you have to suspect there is a problem. Why the secrecy? Was she at an age where she could consent? As respected teen psychologist Michael Carr-Gregg put it when I asked his view, would she “have sufficient cognitive or emotional maturity to fully comprehend the potential ramifications of what she is doing?”
Where will her photo end up? Where did the photos of the other two girls above end up?
Why does calling it “art” make sexualised depictions of young girls OK?
It is right to question Henson’s sexual depictions of vulnerable naked young girls – and other overtly sexualised imagery of children – a point I made on Channel 7’s Morning Show last Thursday. Media academic and researcher Nina Funnell also reveals here that Henson’s images have been found in the collections of paedophilies. (video no longer available)
This is my letter in the Sydney Morning Herald, July 10, 2008, on the placement of Olympia’s image in a magazine featuring images of extreme porn-themed torture, including schoolgirl torture. It was publishing her image in this context that added a new and very problematic layer, not commented on at all in the debate at the time, apart from the observations I made here. Dismissing these concerns as a ‘moral panic’ is just too easy and too convenient.
Art is about “giving people dignity”, the critic Robert Nelson told ABC radio this week. “We’ve got to have faith in art,” he said. Nelson is the father of Olympia, whose naked photos appear in Art Monthly Australia’s latest issue. The photos were taken in 2003 by her mother, when the girl was six.
While flicking through Art Monthly, I wondered whether Mr Nelson had looked at the magazine that featured his daughter before he gave us his thoughts on art and human dignity.
Call me particular, but I don’t find images of semi-naked, bound women with protruding sex organs all that dignified. I looked really hard, but I couldn’t see much dignity in the photograph of a Japanese schoolgirl trussed in rope and suspended with her skirt raised to reveal her underwear. Torture porn just doesn’t stir my soul.
Some of Bill Henson’s images are there, of course (this issue was a “protest” in defence of his work). They are followed by selections from the work of Nobuyoshi Araki, probably best known for his passion for taking photos of girls and women exposed and bound.
There’s his slumped, bound schoolgirl picture and an image of a woman with her clothing stripped back, the ropes squeezing her naked breasts and contorting her into a pose that displays her genitals. A third uplifting work depicts a woman on the ground, strained forward, her naked spreading backside to the camera.
Faith in art?
A little further into the magazine you come upon the work of David Laity. What offering of truth and beauty does Laity give us? An image of a woman being bound with the tentacles of an octopus as it performs oral sex on her. That’s some dignified octopus. Then there’s an image of a woman bending over so we can see her … Well, you get the picture.
The photographs of Olympia need to be viewed in the context of the images positioned around her. On their own, the images that show Olympia reclining naked, her pose and look more that of an adult, can be seen as sexualised. But surrounding her with these other images superimposes a further, more sinister, meaning on them.
The former Democrats senator Lyn Allison told Sunrise the controversy was just about little girls playing dress-ups. But don’t dress-ups usually involve putting clothes on, not taking them off? And does this game usually end with your photo published in a gallery of female genitals?
The magazine’s editor said he wanted to “restore dignity to the debate”. Does he really think he’s achieved that?
Artists who recognise there should be ethical constraints to art; artists who don’t think it advances humanity to tie up naked girls and capture their images. Now that would be dignified.
The SMH letter was expanded into a piece for Online Opinion published July 18, 2008. While Robert Nelson criticised myself and my colleagues on twitter this week claiming we read the image of his daughter inappropriately, see how he himself has described some of his child’s photographs.
…Of course it’s not about dress-ups. Even Robert Nelson doesn’t think that.
In fact, (as Andrew Bolt uncovered) in the year 2000 Robert Nelson had described one of the photographs as part of an exploration of his daughter’s “eroticism”. Even her sucking a dummy as a four-year-old, was, said Nelson “potentially the most diabolically sexual” image, a symbol of “the perversity of pleasure-sucking’’.
Critics of the Polixeni Papapetrou images have been criticised for reading too much into them. Yet Nelson himself renders the child in sexualised ways.
Nelson once described Henson’s work as displaying a “vulgar relish in depicting naked, pouting teenagers” in a “teasing sexual spectacle” to present them as a “passive target for the viewer’s lust”. He wrote, “Henson’s interest in juvenile erotica … is an aesthetic of spying, granting you an illicit glimpse, as in all pornographic genres … Henson’s grope in the gloaming has unpleasant moral overtones, as when the participants are too young for sex’’.
So why give photographs of your daughter to a magazine whose raison d’être was a defence of Henson? It is hard to understand.
The magazine’s editor Maurice O’Riordan said he had wanted to “restore dignity to the debate”. Does he really think he’s achieved that by throwing Olympia in with tied up school girls, women who have been rendered completely powerless…
We must protect our kids from the catwalk of shame
Why can’t Australia be more like France?
While our country held the world’s first parliamentary inquiry into the sexualisation of children – and has done nothing since – the French parliament has begun taking action on its inquiry, with a move to ban child beauty pageants.
The 2008 Senate inquiry into the sexualisation of children in the contemporary media environment continues to gather dust. But the French have taken their 2012 report, Against Hyper-Sexualisation: A New Fight for Equality, more seriously.
On Tuesday, a bill to outlaw child beauty pageants passed in the French senate as part of a wider law on gender equality. It will go through the national assembly before becoming law. Organisers might face a jail term of up to two years and a fine of €30,000 ($43,000).
While the wording of our report was soft, the French report by former sports minister and centrist senator Chantal Jouanno was unequivocal about the harms of sexualising girls.
It called for the ban on child beauty pageants – also known as ”Mini-Miss” competitions – for under 16s. It also recommended a ban on child-size adult clothing, such as padded bras and high-heeled shoes.
Jouanno expressed concern young girls were being disguised as ”sexual candy” in a ”competition over appearance, beauty and seduction”. ”Let us not make our girls believe from an early age that their only value is their appearance,” Jouanno told the senate. ”Let us not allow commercial interests to outweigh social interests … we have a duty to defend the superior interest of the child.”
If the French can say no to sexualised doll-girls, why can’t we? In 2011 Universal Royalty pageants came to Australia, staging events in Melbourne, Sydney, Gold Coast and Perth, meeting significant opposition. We protesters (I was one of them) didn’t think it was in the best interest of girls to deck them out in fake hair, eyelashes and teeth, garish costumes and grotesque make-up to perform provocative routines before judges.
The dominant message of pageants is that physical beauty equates to worth, providing external validation that looks are most important. They reinforce stereotypical ideas about what constitutes female beauty. The MC at the Sydney show raved excitedly about how ”beautiful” the
In August of that year, the Royal Australian and New Zealand College of Psychiatrists’ Faculty of Child and Adolescent Psychiatry said: ”Direct participation and competition for a beauty prize where infants and girls are objectified and judged against sexualised ideals can have significant mental health and developmental consequences that impact detrimentally on identity, self-esteem, and body perception.”
A 2005 study in The Journal of Treatment and Prevention reported ”a significant association between childhood beauty pageant participation and increased body dissatisfaction, difficulty trusting interpersonal relationships, and greater impulsive behaviours”.
The child modelling cancer isn’t just seen in events imported from the US. A ”model search” at Queensland’s Ashmore State School was held for children as young as two as part of a Family Fun Fair last year. Prizes included modelling courses worth hundreds of dollars.
Queensland Minister for Education, Training and Employment John-Paul Langbroek wrote to a complainant in July 2013 that the ”modelling competition was perceived by the … school community as in essence little different from trialling for junior sports teams …”
Of course, it’s not pageants on their own that are the problem. It’s a system that treats women and girls as decorative objects; that emphasises physical appearance over everything else, teaching girls to draw attention to their bodies, not their brains.
Commercial interests continue to win, with corporate social responsibility thrown on the scrap heap in the quest for profit. The previous government washed its hands of the sexualisation problem, claiming industry ”self-regulation” was working. If this is regulation, I’d hate to see what a free-for-all looked like. And it is guaranteed the new government will do the same. It seems our rulers are beholden to big business. Australia is being left behind, as Britain also takes significant action to address the issue.
Research shows that reinforcing an emphasis on looks and attractiveness leads to negative body image, disordered eating, depression, anxiety and low self-esteem. But as long as someone is making money, who cares if children are exploited?
‘The ultimate guide to being yourself’ is about self-acceptance. It offers girls three lessons in how to be themselves: Fall in love with you; Quit Faking It and Get inspired, not obsessed. The first encourages girls to recognise and love themselves for their unique traits. This is well and good. But I don’t think we can ‘fall in love’ with ourselves. We can value our innate dignity and worth, and work to resist pressure to conform to an idealised norm, but ‘falling in love’ is a bit over the top. I don’t think we are meant to be ‘head over heels’ with ourselves – telling girls they should be setting up impossible expectations. I do like the advice to girls to start a gratitude journal and list five things they are grateful for every day, as expressing gratitude is a proven way to improve mental health. ‘Be your own therapist’ also advises girls to organise their thoughts, reflect, be more positive and relieve stress by keeping a journal. I don’t quite agree with the conclusion though: “There’s nothing more empowering than knowing that no matter what life throws at you, you can cope with it.” This puts too much pressure on an individual girl. As I move around the country speaking in schools, I hear shocking stories, including from girls who have suffered sexual abuse and other forms of violence, depression, anxiety, cutting – which has increased by 90 percent in 10 years in older adolescent girls and 60% in girls 12-14 – and eating disorders. Sometimes they won’t get through without significant professional intervention and other support. Read full article.
Last month I posted a piece by a woman named Carrie, who was sold by her father into prostitution at the age of 9. She wrote about our amazing reunion 14 years after I was involved in attempts to secure asylum for her and her unborn child. I said then: “Her story is remarkable. Her suffering indescribable. Her resilience and love for life unmatchable.” Since our reunion Carrie has started to join me in my talks to students. Her story of survival and rising above great suffering, has blown the girls away (more on that later). Today she posted a piece on her blog, which took special courage. I wanted you to see how brave she is and hopefully be inspired to rise above personal difficulties and no longer be burdened by things of the past. You can also read her extraordinary poem ‘Sold’ here.
LITTLE GIRL LOST – IF I KNEW THEN WHAT I KNOW NOW
Last week I shared my story for the first time so candidly with a group of grade 10 girls. A few days prior to the school visit I had written my most vulnerable blog entry but hadn’t the courage to publish it. I figured, if I was brave enough to share it with the girls and their response was favorable, I would ‘dare greatly’ and put it out there. In my wildest dreams, their reaction to me could never be as astounding as it was. They have been so affirming in their acceptance of me that I found in them the courage I was lacking. So as promised to the girls and to myself, here is my most vulnerable piece to date.
I often wonder if men and boys ever consider the damage their unwanted hand on the unwilling bodies and souls of girls does to us. Would they still abuse, degrade and objectify even if they knew the end result 100% of the time at the very least leads to shame? And at the worse leads to irreparable damage to the girl’s self worth. How she views her body. How it impacts her sexuality and spirituality. Impairs her ability to trust and be intimate and many times threatens her desire to even live?
Shame is a topic I have become somewhat of an expert on during the course of my life. I remember the first time I felt it, how it consumed me, how it made me view myself as unloveable and how it kept me disconnected and silent for years…
…As a child, I walked around in a state of such dissociation, I often wondered what it felt like to be alive. I would watch other kids play while I sat on the sidelines pulling out my eyelashes and have no ability to connect with their joy. Other times, I would somehow manage to play but it was never really me doing it. Even when I laughed, a sound and expression so foreign to me in my early years, I remained so far away that I became the silent observer to the shell of myself that showed up every day in the world to represent the facade.
As a teenager, I got even better at sending the “representative” girl out into the world. My humor became the lie that would hide the truth of my pain. I knew what I was hiding no person would understand, and so for years I stayed silent. Out of fear of the threats I received and most probably because I believed at a deep level I was as bad as I was told. And so I would try to be as good as my damaged soul allowed. But anger consumed me, shame blinded me to my own potential and I hated myself for existing. I hated my mother for hating me, I hated my sister for all the times I protected her and I hated my father for destroying my soul daily before the divorce and then every other weekend there after. But mostly I hated life for not ever giving me a chance to become the person I could have been had it been different for me. Read full post on Carrie’s blog ‘Paving the road to freedom’.
‘In a society where media is the most persuasive force shaping cultural norms, the collective message that our young women and men overwhelmingly receive is that a woman’s value and power lie in her youth, beauty, and sexuality’
By Ori Golan
It’s on billboards, in newspapers and magazines; it proliferates on television and social networks. Toys, songs, graffiti, advertisements, internet and iPhone applications all promote it in one way or another. The hyper-sexualisation of women. From subtle sexist innuendoes to base pornography, women are routinely degraded and used as commodities to generate commerce or score political gains. Former Prime Minister, Julia Gillard, was relentlessly targeted for misogynistic attacks. Whether it was her attire or body parts; or her personal life, it was all fair game. The list of epithets includes, among others: dog, bitch, witch, old cow, deliberately barren, and menopausal monster.
But it is not just women in key positions. Girls of every age and walk of life are routinely urged to trade on their looks. Advertising and film industries focus heavily on women’s sexual features rather than attributes such as intelligence or work capacity; they are often depicted as objects in positions of inferiority, subordination and low social power. Seldom are women depicted as protagonists who are feisty, intelligent and charismatic. A cursory glimpse at media outlets yields images of prepubescent beauty pageants, teenaged girls smothered in makeup, women in suggestive poses and models with perfect curves.
Psychologist Sarah McMahon from BodyMatters Australasia, a clinic which specialises in body image issues, warns against this highly prejudiced and dangerous objectification of women. “When we talk about the negative role the media has on young girls” Sarah says, “I think we automatically defer to the narrow beauty ideal that is perpetuated through the homogenised look of models and the overuse of photo-shop”.
Indeed, on a daily basis, our senses are assaulted by aggressive advertising campaigns presenting body-perfect models with unattainable dimensions to promote films, food, designer labels, underwear, diets and games.
Cosmetic surgery is a spin-off from this industry, in the pursuit of the ideal body. It is a colossal global market, raking in millions of dollars in profit. Across the globe, 15 million people turn to plastic surgery to enhance their looks – the vast majority of them women. According to the Australasian College of Cosmetic Surgery (ACCS), cosmetic procedures in Australia, which include breast augmentation and liposuction, generate over $1 billion a year.
There is also another, darker and more sinister, aspect to this prolific gender exploitation: the propagation of DVDs and video games of a highly sexual nature depicting incest, rape and appalling sexual violence against women. Many of these are available for quick, unfettered purchase in shops and service stations.
More than ever before, young – often very young – people are bombarded with hyper-sexualised messages. Pornography is invading their lives at unprecedented rates.
So, what are the consequences and effects of such pervasive invasion of sexualised material?
Speaker, columnist and advocate, Melinda Tankard Reist, has no doubt that the consequences are direct, insidious and long-term. As the co-founder of Collective Shout which runs a tireless campaigner to end the sexualisation of girls, Melinda is well placed to speak on this matter. “We are seeing a sharp decline in women holding key roles, an increase in eating disorders and a rise in physical violence against women. Collective Shout takes upon itself to name and shame corporations, advertisers and marketers who objectify women and sexualise girls to sell products and services. Melinda has spearheaded numerous campaigns against a major corporations to remove highly offensive advertising or merchandise which exploits or degrades women.
Watching the film Miss Representation, by Jennifer Siebel Newsom, brings these points into sharp relief. This outstanding documentary puts the spotlight on mainstream US media where women are routinely demeaned, sexualised and limited to stereotyped roles. The facts speak for themselves: women are grossly under-representation in positions of influence in the US; is still 90th in the world for women in national legislatures; it is now a country where women hold only 3% of high positions in mainstream media. Given such appalling statistics, it is hardly surprising that there is a dramatic drop in the numbers of aspiring young women. Marian Wright, President of Children’s Defense Fund, puts it succinctly when she says: You can’t be what you can’t see.
But there’s worse: a staggering 65% of American women and girls have eating disorders as a direct consequence of the relentless glorification of thin women in the media.
The problem is, of course, not restricted to the US.
Inês Almeida, Executive Director at the Brave Girls Alliance and Founder of TowardTheStars, is keenly aware of the cause-and-effect between the sexualisation of girls and the three most common mental health problems effecting girls and women: eating disorders, low self-esteem and depression. “Substantial research shows that mass media influences girls and young women’s beliefs about themselves”, she affirms.
According to Inês, in 2012 some 913,000 Australians were recorded with eating disorders, two thirds of them women. To compound the problem, the concerned age-group is becoming increasingly – and alarmingly – younger. “Both the Westmead Hospital in Sydney and the Royal Children’s Hospital in Melbourne have observed that eating disorder cases have increased substantially in the under-12 age group”, she says.
Inês is poised to combat this devastating trend. Last year she launched the TowardTheStars campaign; a movement that provides gifts and resources that inspire and enable girls to be strong, smart and daring. “In a world overwhelmed with messages that tell girls that their value comes from their external appearance”, she explains, “it is imperative to showcase girls who are courageous, strong, bold, determined, accomplished and athletic. We need to see more girls who are leaders, scientists, adventurers, politicians and, of course, superheroes!”
On October 11, the UN’s International Day of the Girl, the Brave Girls Alliance plans to take over Times Square. “With enough supporters, we’ll rent a billboard to flash brief girl-positive messages 40 times per hour, 20 hours per day, for 7 days”, says Inês.
Alex McClintock is a journalist, male and full-fledged feminist. “If you think the parliament is full of misogynists, then maybe you should take a look in your local pub or nightclub on a Friday night” he advises, alluding to the grossly sexual and misogynist bravado so common among men. “Men can be feminists too and the best way to do it is by being active in masculine spaces like locker rooms and pubs.”
He brings into the discussion an issue that has not been discussed or even alluded to: how to make sense of a world from a man’s perspective. With the propagation of pornography and its proliferation on the net, making it accessible to almost any internet user, how do we deal with it? How do we teach boys to treat women with respect? How do we instil civility and parity?
“If boys and girls are going to look at porn, then we should have porn education in schools to help them make sense of it”, he suggests. This is no doubt a statement worthy of discussion in its own right.
The many issues and sentiments which a ThinkActChange debate such as this can stir, are often close, personal and painful. A member of the audience shared her experience, shortly after the event.
“I’ve been living a life full of eating-disordered hell since I was 10 years old, and now 12 years laterm at the age of 22, I am only beginning to see the damage that society and media play on young girls and women like myself. It wasn’t just me who has been suffering from anorexia. My whole family and circle of friends have been suffering as well. I can happily say now that I am very much on the way to full recovery. I am also back at university and hope to one day work alongside Sarah McMahon and the wonderful women and men out there trying to prevent eating disorders in society and help those in need.”
It is a salutary reminder, and a truly moving testimony, of the very real influence and terrible impact which the sexualising of women in the media can exert on an individual’s wellbeing.
As always, when I review teen girls’ magazines I look for the girls who are taking up their rightful place in the world, engaging in social action and cultural transformation.
This issue we meet ‘2013 Girlfriend of the Year’ (I’m ignoring the eight pages on GF’s Rimmel Model Search). Hannah, 15, was chosen from six finalists for her activism against Coal Seam Gas Mining. “The methods used to extract it are all detrimental to the environment and the people surrounding the wells…There is little info available on the actual chemicals used in the mining process – all we know is there are proven links between CSG mining and illness in humans and animals, lack of land productivity, lowered air quality and contaminated soil and water,” the young activist says. Hannah, who has also been involved in Youth Parliament, says her motivation comes from raising awareness, encouragement from others and knowing she is making a difference.
Marian Bechtel, 18, invented a land mind detector. Described as an ‘anti-war hero’ in the article ‘Like a boss,’ about inspiring girl CEOs and inventors, Marian came up with the idea of using sound waves to detect land mines at only 14. She spent three years researching and working with scientists to develop a prototype. As a result Marian was a finalist in the 2012 Intel Science Talent Search in the US. “I think technology can definitely help us get toward word peace,” says Marian. Madison Robinson, 15, created her own thong (‘fishflops.com) business, which has taken off. “I think you can be creative and achieve your dreams at any age,” says Madison. “If you have an idea you love and can see the possibilities, go for it.” Ava Anderson, 18, created the world’s first non-toxic beauty products as CEO and director of Product Development of Ava Anderson, Tavi Gevinson, 17, started her style blog at 11 which grew into an online magazine Rookie Mag, one of the top websites for teens in the world. Eesha Khare, 18, invented a battery that charges in 30 seconds.
There are more high achievers in the ‘Life as told by you’ section. Brittany developed a breast cancer app after her cousin was diagnosed with breast cancer. Her app enabled doctors to enter values on a scale of one to 10 for each sign of breast cancer a patient has. She has spent over 1000 hours working on it and run 7.6 million tests. The app is now 99 per cent accurate for diagnosing the disease. She hopes to become a doctor one day. Kelsey, 17, has raised more than $40,000 for the charity ‘Hands Across the Water’, which helps children in Thailand. Started by her father, she has volunteered in one of the charity’s orphanages during her summer holidays. “I saw how tough things are for them and learned not to take life for granted as so many of us do, myself included. I also watched how the children look after each other. It made me think, why can’t we all be kinder to each other?” The money Kelsey has raised so far can save 27 girls from trafficking. Kelsey says she feels she must do something to help at-risk children. “I can be the voice for girls my age and younger from all over the world who are being forced to do terrible things against their will….To be able to provide new hope and possibilities for these girls is the reason I’m doing this. I know that changing their lives will also change the lives of their families, friends and broader communities, as well as the generations to come after them”. She urges other teens to take the focus off themselves and unleash their energy in positive ways to help others. Read more
In the pornified music world populated by churned-out female pop stars pumping and grinding to a sexualised script, cavorting semi-naked and presented as sexually insatiable, we see Miley Cyrus simulating sex acts while denuded of real sexuality.
While many around the world condemned what was seen as an overtly sexualised performance at the recent MTV music awards, her crotch-centred routine – which included rubbing the groins of herself and Robin Thicke with a giant hand possibly stolen from a Coles ”down, down, prices are down” ad – was one of the most desexed stage performances I have seen.
Miley Cyrus is a business. Her mostly male management would have scripted every plastic fake sex move. In an industry dominated by men, Cyrus thrusted and writhed because these same men thought there would be money in it.
The view of some young people whose thoughts I sought in schools last week was that it was less an expression of sexuality than of ugliness. For them, Cyrus’ performance represented a distorted version of female sexuality. And if Cyrus’ management thought the act would shore up her fan base, they have misjudged.
Almost without exception, the girls groaned and rolled their eyes when I asked them about it. Grace, 13, says: ”The performance portrayed a negative image of women.”
Alex, 13, drew attention to the shaping of boys’ thinking. ”It shows boys that’s how we are, our image.”
Megan, 12: ”She thinks it’s cool, she’ll attract more people, but she hasn’t.”
Emma, 11: ”I felt overexposed to something I shouldn’t have watched.”
These girls noted that the women on stage wore less clothing than the men. They wanted to know why this differential nakedness was acceptable. It troubled them that Robin Thicke – whose Blurred Lines song has been condemned as justifying non-consensual sex, is almost twice Cyrus’ age. (Defined Lines, a parody by three female University of Auckland students sending up Thicke’s song, was temporarily removed from YouTube for displaying sexually explicit content, while his clip containing topless women can still be viewed in full online.)
X-rated artificial sex routines have become banal. The girls expressed a desire to enjoy female talent free of predictable objectified routines. They want to see an emphasis on the song more than the body.
Lady Gaga pulls a machinegun out of her vagina, Katy Perry shoots whipped cream from her breasts and Rihanna offers S&M and bondage themes. It may be porny, but it’s far from erotic.
And, of course, there is a contrast in the judgment afforded to women compared with men. Men are so often let off the hook. US rap artist Tyler, The Creator, who sings about rape being fun, raping a pregnant woman and calling it a three-way and raping female corpses, was given a visa to perform his live misogyny at ”all ages” Australian concerts recently.
Flo Rida’s Can’t Believe It, at No. 7 on the top-40 charts, also enforces the female-artist-as-porn-performer theme. The song opens with, ”Damn, that white girl got some ass”, and the video features objectified, headless women with oversize backsides. Women are depicted visually as ice-cream and in porn-style poses.
Justin Timberlake’s Tunnel Vision clip has him in a suit surrounded by naked women whose sole purpose is to writhe around him. It is a complete double standard. We don’t see male artists gyrating their bums before the cameras.
The female students I spent time with wanted to see more female performers who defied limited visions of womanhood. They saw Adele and Taylor Swift as women who respected themselves, were devoted to their voices and who refused to conform to the standard expectations of women in the music industry. For a truly beautiful and sensual performance, give me Sade Adu, the British singer touring this country for the first time in 25 years in December. Here is a woman who understands you don’t have to take your clothes off for a lads’ mag to prove you are a real woman.
Churning out one manufactured fantasy after another, in which women are always presented as ”up for it”, doesn’t constitute an expression of female independence or agency. The girls I spent time with saw it as co-operating in your own exploitation. ”Miley exploits herself now,” says one student, 13.
They wanted something more than a singing, dancing sexual puppet. Why can’t the music industry give them that?
Antoinette Jones – Principal – Mitcham Girls High School
“Intelligent, passionate, brilliant, fearless… I could not recommend her more highly”
Dr Michael Carr-Gregg
“You continue to reset my shock meter…”
“As a teacher and parent I recommend all parents, in fact all people, to attend a talk by Melinda- it will open your eyes and awaken your subconscious.”
Heather Douglas – Parent – Pembroke School
“Melinda’s presentations to our parents, staff and full day workshops to students was inspirational, transforming the attitudes and thinking of all involved”
Paul Teys – Principal – Hunter Valley Grammar
“Melinda Tankard Reist’s presentation to Middle and Upper School students at Pymble Ladies’ College was absolutely brilliant!”
Justine Hodgson – English Faculty, Pymble Ladies’ College
“Melinda Tankard Reist has had a transformational affect on our school.”
Ms Stephanie McConnell, Principal – Turramurra High School
“Melinda Tankard Reist is at the forefront of helping…educate the public on the link between pornography and violence…” – Di Macleod, Director, Gold Coast Centre Against Sexual Violence
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In this DVD, Melinda takes us on a visual tour of popular culture. “Melinda’s presentation leaves audiences reeling. She delivers her message with a clarity and commonsense without peer.” – Steve Biddulph, author, Raising Boys, Raising Girls
In this easy-to-read updated book, Steve Biddulph shares powerful stories and give practical advice about every aspect of boyhood.
“Overflowing with incisive understandings…a comprehensive and in-depth guide.” – Dr Michael Carr-Gregg, Consultant Child and Adolescent Psychologist
Men of Honour -written by Glen Gerreyn- encourages and inspires young men to take up the challenge to be honourable. Whether at school, in sport, at work or in relationships, we must develp our character to achieve success and experience the thrills life has on offer.
Purchase the Ruby Who? DVD and book together for only $35 saving 10% off the individual price.
“Getting Real contains a treasure trove of information and should be mandatory reading for all workers with young people in health, education and welfare” – Dr Michael Carr-Gregg, Adolescent Psychologist
Do you read women’s lifestyle magazines? Have you thought about how magazines might affect you when you read them? Faking It reflects the body of academic research on magazines, mass media, and the sexual objectification of women.
Ruby Who? is the sweet and innocent story of a little girl’s adventure in re-discovering her identity. Ruby wishes for so many things and dreams of being like others. Will she end up forgetting how to just be herself?
Ruby Who? is the sweet and innocent story of a little girl’s adventure in re-discovering her identity. Ruby wishes for so many things and dreams of being like others. Will she end up forgetting how to just be herself?
Defiant Birth challenges widespread medical, and often social aversion to less than perfect pregnancies or genetically different babies. It also features women with disabilities who were discouraged from becoming pregnant at all.