Tyler’s ‘F—k It: a tantrum set to music

It’s not every day you get a magazine and a song dedicated to you.

But this week, my friends and I received both.

Now defunct Lad’s Mag Zoo Weekly devoted its final issue to us with this cover.

Apparently, protesting the objectification of women and messages promoting violence against women (drunk girls are a ‘green light’, for example) makes you a killjoy now. We didn’t find much joy in the mag’s pages, as documented in Collective Shout’s storify.

Young designer and activist Laura Pintur, 23, led our campaign. It was great to see her face on ABC’s Media Watch Monday night, in an extract from the video she made for The Guardian. The facts she presented stand in contrast to the depiction of the mag as just for a laugh and ‘schoolboy humour’. Such nudge-nudge-wink-wink depictions trivialized Zoo’s actual content. The kind of content which caused 20-year-old Coles employee Shannen to protest to management through her union.

When asked by a journalist on twitter for her reaction to Zoo’s final cover, Laura replied:

Zoo’s closure was reported on our website as follows:

Goodbye Zoo Weekly, you won’t be missed

We were pleased to report that after our successful campaign to get sexploitation mag Zoo Weekly out of Coles supermarkets Bauer Media announced the sexist lads mag was closing.

This week Zoo Weekly released their last edition ever. We’re glad that pornographers will have one less outlet now to push porn to underage boys. See content from inside Zoo mag (warning, graphic).

ABC’s Media Watch referenced our campaign, quoting Collective Shout’s Laura Pintur.

Click here to view the video.

From Media Watch:

In May a young woman called Laura Pintur began a campaign backed by Collective Shout to persuade Coles and Woolworths to take Zoo off their shelves on the grounds that it was fostering hostile and aggressive attitudes to women:

“LAURA PINTUR: A British university compared lads mags with comments from convicted rapists. It found that people could not distinguish the source of the comments. That is, Zoo users’ language practically indecipherable from that of sex offenders. It also asks readers to send in pictures of their girlfriends’ breasts to win a boob job.” — The Guardian, 21st May, 2015

Coles stopped selling the magazine two months ago as a result.

And when news then broke of the decision to close Zoo altogether the campaigners were quick to claim the kill.

“Collective Shout takes credit for hastening Zoo’s demise: Coles dumping title was ‘catastrophic for sales’”

Further reading:

Zoo shuts down: one less vehicle for sexism and promotion of male entitlement 

20 reasons why Coles and Woolworths should #BinZooMag 

RIP Zoo Weekly- a vile, repugnant and tasteless publication- News.com.au

From Tyler with love

Here’s an extract from Tyler the Creator’s (@fucktyler) new release ‘Fuck It’. (I was interviewed by Jon Faine on ABC Melbourne Tuesday about the song. So replete is this ditty with expletives, our national broadcaster could only play a six second extract). Here are some of the lyrics:

Tell Australia I’m sneaking in with a mic in my damn hand

Instead of the vegetables that I packed in my backpack

When Marshall had this problem what the fuck was they telling him?

Is it cause of status or his melanin lacks black?

Huh? I think people love to be mad

How can I be misogynist? I love titties and ass…

Only thing they gave me was an opportunity and a pen

Look, freedom of speech, my freedom is breached

Border Patrol put me on streets immediately

For shit I said when I was a virgin repeatedly

Posted on Hypebeast cause nobody would listen to me

Collective Shout’s campaigns manager Caitlin Roper gave these comments to media:

Tyler has had an opportunity here to pause, reflect on his behaviours and promotion of misogyny, and make a commitment to real change- to creating art that doesn’t rely on the exploitation of women to generate profits.

Instead he’s essentially had a tantrum to music.

While he may have been a young man when he wrote music describing raping women, mutilating their bodies, locking them in his basement and raping their corpses, he’s not a child anymore, and he is yet to grow up and take responsibility for what he has put out into the world.

Our calls to deny Tyler a visa were never solely based on his sexually violent and misogynistic lyrics, but his real life behaviours- his history of inciting violence against actual women. It was only a few months ago that he singled out and tagged Collective Shout’s Coralie Alison in a tweet, blaming her for his cancelled tour and essentially directing his 2.5 million fans to go after her with horrific threats of violence. He sat by and watched, and finally denied he held any responsibility.

We too would like to know why Eminem was granted a visa. Collective Shout partnered with a coalition of domestic violence organisations in 2014 calling on the government to deny Eminem a visa.

But we must be wrong – he loves titts and arse, so couldn’t possibly be a misogynist!

I responded on twitter. Jane Fraser (@feministbirther) added her wondrous response.

So you’re not a misogynist – because you love titts and arse? Pornographers, pimps, and perpetrators of violence love titts and arse too – so what?

And someone should tell Tyler you can’t bring vegetables into Australia either.

See also: 

Tyler the Creator tackles Aust visa laws 

Tyler the Creator threatens to sneak a mic into Australia after feminist outcry 

‘We don’t want Eminem here: Anti violence groups combine to condemn tour’, Collective Shout

Solidarity with Coralie Alison as Tyler the Creator fans send death threats (How misogynists use dog whistle tactics to target women they want other men to punish) .

‘The issue is misogyny, not race’, Caroline Norma, Collective Shout