“[I want] better education regarding sex for both boys and girls [and] information about pornography, and the way it influences harmful sexual practices.”
These are the words of Lucy, aged 15, one of 600 young Australian women and girls who took part in a just-released survey commissioned by Plan Australia and Our Watch. The survey, conducted by Ipsos, gathered responses from the girls and young women aged 15-19 in all states and territories.
In the survey report, entitled Don’t send me that pic, participants reported that online sexual abuse and harassment were endemic. More than 80% said it was unacceptable for boyfriends to request naked images.
Sexual bullying and harassment are part of daily life for many girls. Young people are speaking out more and more about how these practices have links with pornography – and so they should, because they have most to lose.
Pornography is moulding and conditioning the sexual behaviours and attitudes of boys, and girls are being left without the resources to deal with these porn-saturated boys.
My own engagement with young women over the last few years in schools around Australia, confirms that we are conducting a pornographic experiment on young people – an assault on their healthy sexual development.
If there are still any questions about whether porn has an impact on young people’s sexual attitudes and behaviours, perhaps it’s time to listen to young people themselves. Girls and young women describe boys pressuring them to provide acts inspired by the porn they consume routinely. Girls tell of being expected to put up with things they don’t enjoy.
Some see sex only in terms of performance, where what counts most is the boy enjoying it. I asked a 15-year-old about her first sexual experience. She replied: “I think my body looked OK. He seemed to enjoy it”. Many girls seem cut off from their own sense of pleasure or intimacy. That he enjoyed it is the main thing. Girls and young women are under a lot of pressure to give boys and men what they want, to adopt pornified roles and behaviours, with their bodies being merely sex aids. Growing up in a pornified landscape, girls learn that they are service stations for male gratification and pleasure.
Asked “How do you know a guy likes you?,” a Year 8 replied: “He still wants to talk to you after you suck him off.” A male high school student said to a girl: “If you suck my dick I’ll give you a kiss.” Girls are expected to provide sex acts for tokens of affection. A 15-year-old told me she didn’t enjoy sex at all, but that getting it out of the way quickly was the only way her boyfriend would settle down and watch a movie with her.
I’m increasingly seeing Year 7 girls who seek help on what to do about requests for naked images. Being asked “send me a picture of your tits” is an almost daily occurrence for many. “How do I say ‘no’ without hurting his feelings”? girls ask.
As the Plan Australia/Our Watch report found, girls are tired of being pressured for images they don’t want to send, but they seem resigned to how normal the practice has become. Boys use the images as a form of currency, to swap and share and to use to humiliate girls publicly.
Year 7 girls ask me questions about bondage and S&M. Many of them had seen 50 Shades of Grey (which was released on Valentine’s Day). They ask, if he wants to hit me, tie me up and stalk me, does that mean he loves me? Girls are putting up with demeaning and disrespectful behaviours, and thereby internalizing pornography’s messages about their submissive role.
I meet girls who describe being groped in the school yard, girls routinely sexually harassed at school or on the school bus on the way home. They tell me boys act like they are entitled to girls’ bodies. Defenders of porn often say that it provides sex education. And it does: it teaches even very young boys that women and girls are always up for it. “No” in fact means yes, or persuade me.
Girls describe being ranked at school on their bodies, and are sometimes compared to the bodies of porn stars. They know they can’t compete, but that doesn’t stop them thinking they have to. Requests for labiaplasty have tripled in a little over a decade among young women aged 15-24. Girls who don’t undergo porn-inspired “Brazilian” waxing are often considered ugly or ungroomed (by boys as well as by other girls).
Some girls suffer physical injury from porn-inspired sexual acts, including anal sex. The director of a domestic violence centre on the Gold Coast wrote to me a couple of years ago about the increase in porn-related injuries to girls aged 14 and up, from acts including torture:
“In the past few years we have had a huge increase in intimate partner rape of women from 14 to 80+. The biggest common denominator is consumption of porn by the offender. With offenders not able to differentiate between fantasy and reality, believing women are ‘up for it’ 24/7, ascribing to the myth that ‘no means yes and yes means anal’, oblivious to injuries caused and never ever considering consent. We have seen a huge increase in deprivation of liberty, physical injuries, torture, drugging, filming and sharing footage without consent.”
The Australian Psychological Society estimates that adolescent boys are responsible for around 20% of rapes of adult women and between 30% and 50% of all reported sexual assaults of children. Just last week , Emeritus Professor Freda Briggs argued that online pornography is turning children into copycat sexual predators – acting out on other children what they are seeing in porn.
A 2012 review of research on “The Impact of Internet Pornography on Adolescents” found that adolescent consumption of Internet pornography was linked to attitudinal changes, including acceptance of male dominance and female submission as the primary sexual paradigm, with women viewed as “sexual playthings eager to fulfil male sexual desires.” The authors found that “adolescents who are intentionally exposed to violent sexually explicit material were six times more likely to be sexually aggressive than those who were not exposed.”
I have asked girls what messages they might like me to pass on to boys. So far, these messages include: “Stop telling us we are wet,” “Stop commenting on our bodies,” “Stop demanding pictures,” “Rape jokes are never funny” and “Sex before the age of consent is illegal.”
The proliferation and globalisation of hypersexualised imagery and pornographic themes makes healthy sexual exploration almost impossible. Sexual conquest and domination are untempered by the bounds of respect, intimacy and authentic human connection. Young people are not learning about intimacy, friendship and love, but about cruelty and humiliation. As a recent study found:
“online mainstream pornography overwhelmingly centered on acts of violence and degradation toward women, the sexual behaviors exemplified in pornography skew away from intimacy and tenderness and typify patriarchal constructions of masculinity and femininity.”
It is intimacy and tenderness that so many girls and young women say they are looking for. A young woman told me that on dating sites she lists under “fetish” wanting to stare longingly into someone’s eyes and to take sex slow. She said if she didn’t put these desires in the “fetish” category, they wouldn’t warrant a second glance.
But how will young women find these sensual, slow-burn experiences in men indoctrinated by pornography? Psychologist Philip Zimbardo says of young men: “They don’t know the language of face to face contact … Constant arousal, change, novelty excitement makes them out of sync with slow developing relationships – relationships which build slowly.”
It is wrong to leave sexual formation in the hands of the global sex industry. We need to do more to help young people stand up against warped notions of sexuality conveyed in pornography.
Fortunately, the ill-effects of the pornographic experiment on relationships and sexuality are being named out loud. A groundbreaking Australia-first symposium on the issue was held at UNSW last month, to a standing room crowd, and a current Senate inquiry is gathering evidence of the distorting harmful impacts of porn on our young people.
Most importantly, it’s young people themselves demanding change. Josie, 18, is quoted in the Plan Australia/Our Watch report:
“We need some sort of crack down on the violent pornography that is currently accessible to boys and men. This violent pornography should be illegal to make or view in Australia as we clearly have a problem with violence and boys are watching a lot of pornography which can be very violent … This is influencing men’s attitude towards women and what they think is acceptable. Violent pornography is infiltrating Australian relationships.”
Inciting Violence Against Women Isn’t ‘Art’, and Tyler the Creator Shouldn’t Be Granted Entry
By Caitlin Roper
“It’s just irony” seems to be the go-to defence for misogyny these days.
As a female activist for grassroots organisation Collective Shout, I hear it all the time.
After the global backlash to Kanye West’s sexually violent Monster music video – which featured lingerie clad female corpses hanging from the ceilings, West in bed with two dead women and holding the decapitated head of another – West’s team was quick to issue a disclaimer that is was “an art piece, and to be taken as such.” This exempted the video from critical analysis, apparently.
When we campaigned against Redfoo for his misogynistic Literally I Can’t video, in which women were mocked, abused and told to “shut the f*ck up” for refusing the sexual advances of men at a party, Redfoo played the victim, claiming his “art” – there’s that word again – was misunderstood.
When so-called “ute art” in Townsville depicted a chilling life-sized sticker image of an unconscious woman bound in the back of a ute next to a shovel, women who spoke out were accused of just not getting the joke.
Art. Satire. Irony. A joke. The premise is we just don’t get it and are therefore not permitted to comment.
So it should come as no surprise that our campaign calling on the Immigration Minister Peter Dutton to revoke U.S. rapper Tyler the Creator’s visa should attract the same predictable response. The real issue is uptight women who can’t take a joke and who “need a good dick,” rather than hate speech and incitement to violence against women.
Tyler fans argue his earlier work is satirical, that he is simply misunderstood, defamed, in fact, by feminists. His cult-like followers not only deny their idol’s problematic real life treatment of women who dare to openly disagree with him, but even fuel it.
In 2011, Canadian recording artists Tegan and Sara published an open letter on their website, accusing Tyler of misogyny for his extremely sexually violent lyrics detailing rape, strangling, mutilating and chopping up women, stuffing their bodies into car boots, trapping them in his basement and raping their corpses. Tyler responded in a tweet:
In less than 140 characters, Tyler sent a clear message about women who dared challenge his authority.
The notion that women who speak out against male violence against women just need some “hard dick” is not new. It’s a common way of deflecting from and trivializing our abuse. This method also intimidates many women into silent compliance. It’s all the more sinister in this case, given the fact that Tegan and Sara are lesbian women, and the historical significance of so-called “corrective rape” – a horrific hate crime against lesbian women based on the belief that they can be “cured” of their sexual orientation through rape.
Tyler the Creator also responded to the Kanye West campaign on Twitter by naming two of the women involved, Sharon Haywood of Adios Barbie and Melinda Tankard Reist, Collective Shout co-founder, calling them “f*cking bitches” and inviting them to “suck [his] d*ck.”
In 2013, Collective Shout ran a campaign calling on then Immigration Minister Brendan O’Connor to revoke Tyler the Creator’s visa, arguing he was a controversial visa applicant who posed a danger to women. One of our young activists, Talitha Stone, wrote a tweet accusing Tyler of misogyny. Tyler shared the tweet with his 1.7 million followers, who took the bait and turned on her with an onslaught of abuse and rape threats. One Tyler fan threatened to “cut her tits off” and another – a 16 year old Melbourne private school boy – posted what he believed was her home address for the mob to do with what they would. (He was one street off). We were up half the night liaising with police trying to ensure Talitha’s safety.
Talitha bravely attended Tyler’s Sydney concert to report on it for us. She had no idea he would launch a vicious tirade of abuse against her, unaware she was in the audience filming. The crowd cheered as he called her a bitch, a whore, and a c**t, and dedicated his song “Bitch Suck D*ck” to her.
While our own Minister failed to act, we were heartened to learn the following year that New Zealand had denied Tyler entry, with his incitement of violence against Talitha being instrumental in its decision.
Two years on, Tyler is set to return to Australia for a series of all-ages (no age limits) concerts. We have called on Immigration Minister Peter Dutton to revoke his visa, arguing that Tyler meets the Department’s definition of a Controversial Visa Applicant. This is a person:
“whose presence in Australia may, because of their activities, reputation, known record or the cause they represent and propagate, vilify or incite discord in the Australian community or a segment of that community, or represent a danger to the Australian community or a segment of that community.”
Domestic violence is at epidemic proportions in Australia; women are being murdered by men at a rate of two per week. The groundswell is growing, with increasing pressure on the Government to take action to save women’s lives. And yet, at the same time as extolling its National Plan of Action to Address Violence Against Women, the same Government rolls out the red carpet to recording artists who rap about raping and mutilating them for entertainment, and who have personal histories of inciting violence against women.
Why are we so quick to condemn men’s violence against women yet so hesitant to acknowledge the drivers of this violence – the attitudes towards women, the ingrained sexism, a culture where women are routinely reduced to mere sexual objects for men’s use and entertainment?
Tyler’s own fans are helping us prove our point. We are being targeted with threats of violence and abuse from fans demonstrating a cult-like loyalty to their idol. These same fans claim that music that glorifies extreme violence has no impact on their attitudes towards women, and they remind us of this between threats of rape and calling us bitches, whores and worse.
Collective Shout co-founder Melinda Tankard Reist was tweeted a picture of herself with a pro-gang rape slogan, one of Tyler’s lyrics, alongside the words, “What you gonna do now bitch you surrounded” (sic):
Our National Operations Manager, Coralie Alison, was similarly targeted by U.S. Talk Radio host Shane Powers, who called her a “feminazi,” offered her “dick pics” and went on to make lewd comments about Immigration Minister Peter Dutton’s wife. He seemed to enjoy intimidating a woman in this way, taking pleasure, with his male guests, from the thought of her violation and humiliation.
What are these men really saying when they tell us we need some d*ck? It sounds very close to “you need to be raped.”
We predicted that Tyler’s presence would incite discord into our community and pose a danger to women. It’s already happening and he hasn’t even stepped onto our shores. We need our Government to act on its promises to address violence against women and send a clear signal by not letting him.
Historically debates about children and pornography have tended to play out in two directions. Either children are discussed as being the victims used in illegal child pornography, or alternatively they are constructed as the damaged consumers of adult pornography which they inadvertently or deliberately access.
Both the “exploited victim” and “damaged consumer” approaches have produced a wealth of research that has contributed to public debates about pornography.
However, while these approaches have offered certain frameworks for understanding and discussing the harm caused to children, they have not been able to account for a recently emerging trend whereby young people are not merely accessing and consuming pornography, but indeed are now the active producers of pornography – specifically child pornography.
In recent years academics have been tending to the ways in which young people are incorporating technology into their dating, courtship and sexual socialisation practices. While many young people report that technology has enhanced their social lives, others have expressed concerns over the ways in which technology (such as digital photography, mobile phone cameras and webcams) has contributed to a paradigm where privacy is compromised. Read entire article.
Our new book, Big Porn Inc: Exposing the Harms of the Global Porn Industry, documents the proliferation and normalisation of pornography, the way it has become a global industry and a global ideology, and how it is shaping our world and the harm this causes.
The global pornography industry is expected to reach US$100 billion in the near future. In 2009, the UN estimated that the global child pornography industry made a profit of up to $20 billion. Pornography money is buying governments, academic research, national and international corporations and law enforcement agencies.
This largely unregulated pornography industry has colonised private and public spaces at a rate that presents significant challenges to women’s and children’s rights. The mainstreaming of pornography is transforming the sexual politics of intimate and public life, popularising new forms of anti-women attitudes and behaviours and contributing to the sexualisation of children.
The pornification of culture is leading to a form of hypersexism that entails an increase in physical, sexual, mental, economic and emotional cruelty towards women and children. This radical cultural shift is shaping the way we understand ourselves and others, both personally and politically.
Our goal is to present a powerful challenge to libertarian conceits that pornography is simply about pleasure, self-empowerment and freedom of choice.
Since the 1980s, there has been a steady growth in the number of academics who study pornography and believe they are being unconventional or somehow radical in their defence, even celebration, of it. To treat pornography as an avant garde political gesture, however, requires its defenders to turn a blind eye to the harms it does.
A great deal of pro-pornography academic research in the social sciences is taken up with this task of masking the harms of pornography, in order to defend the lucrative global industry and guarantee a continued supply of cool pleasures to the hip consumer.
One such piece of research, The Porn Report by Alan McKee, Katherine Albury and Catharine Lumby (2008), was heralded as “the first piece of serious research” on the state of pornography in Australia. The book is widely cited in political and academic debates for its analysis of the production, distribution and consumption of pornography.
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“Melinda Tankard Reist has had a transformational affect on our school.”
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“Melinda Tankard Reist is at the forefront of helping…educate the public on the link between pornography and violence…” – Di Macleod, Director, Gold Coast Centre Against Sexual Violence
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‘The foremost authority in Australia cyber safety lays it on the line and challenges parents to find their digital spine.’ – Dr Michael Carr-Gregg
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In this easy-to-read updated book, Steve Biddulph shares powerful stories and give practical advice about every aspect of boyhood.
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Men of Honour -written by Glen Gerreyn- encourages and inspires young men to take up the challenge to be honourable. Whether at school, in sport, at work or in relationships, we must develp our character to achieve success and experience the thrills life has on offer.
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Do you read women’s lifestyle magazines? Have you thought about how magazines might affect you when you read them? Faking It reflects the body of academic research on magazines, mass media, and the sexual objectification of women.
Ruby Who? is the sweet and innocent story of a little girl’s adventure in re-discovering her identity. Ruby wishes for so many things and dreams of being like others. Will she end up forgetting how to just be herself?
Ruby Who? is the sweet and innocent story of a little girl’s adventure in re-discovering her identity. Ruby wishes for so many things and dreams of being like others. Will she end up forgetting how to just be herself?
Defiant Birth challenges widespread medical, and often social aversion to less than perfect pregnancies or genetically different babies. It also features women with disabilities who were discouraged from becoming pregnant at all.