An anonymous woman bravely posted the comment below on Collective Shout’s site . If anything should shame Brian McFadden – and all involved in the song’s production and distribution, including Universal Music – for creating a single making light of sexual exploitation – it is what she has written. Brian McFadden says his song is ‘tongue-in-cheek’. Tell that to women like this and all those other women and girls preyed upon and sexually violated.
This song leaves a particularly bad taste in my mouth as I was actually done some damage to after being taking advantage of. A drunken night which saw me going home to a “friends” house to hang out, and then being dropped off in the morning by one of his friends. Well, let’s just say I have a huge gap in my memory, and a huge hole in my heart after the incident. This hole only formed though, when I heard from a friend that the “friends” friend had sex with me that night. Charming. It’s taken me a few years to come to terms with what happened and the resulting anxiety and shameful feelings have been horrible. I haven’t told anyone about the fact that I don’t remember anything and I WOULD NEVER have consented to having sexual intercourse with the person if I was coherent enough to say no. I can’t speak up about it though because I doubt anyone will believe me, and as everyone will think, I brought it on myself, getting that drunk.
You did not give consent. You are not to blame
I asked Nina Funnell, anti sexual violence campaigner and herself a survivor of sexual assault, how she would respond. This is her answer – to Anon and to all women like her.
I would like to start by commending you on your bravery in being able to articulate your experience of sexual abuse so openly and eloquently. I am saddened however, to say that while your experience is yours and yours alone-and no one has the right to claim they know how you feel- many other women will find echoes of their own experiences in your words.
Your response to what has happened to you is very normal. It often takes victims years to come to terms with what they have experienced. Some never do. The resulting shame and anxiety you feel is also completely normal for someone who has experienced what you have, however I must stress that while feelings of shame and self blame are very typical following an assault (as they are a function of PTSD) you are in no way to blame and the shame rests with him and him alone: getting drunk is not a crime. Sexually assaulting a drunk person is not only criminal, it is a low, vile, predatory act that has to do with a power, dominance and a desire to exert control over another person.
So often we hear the myths that “drunk girls are asking for trouble” and that “men can’t control their lust”. Firstly, no person has ever “asked” to be sexually assaulted. This is a myth which is used to excuse the actions of perpetrators by shifting the blame onto victims.
Secondly, sexual assault is not a function of uncontrollable lust. This myth is not only inaccurate but it is also insulting to men as it casts them as slaves to base, animal emotions. If I were a man I would be eager to knock this myth on its head. If it were true that sexual assault is a result of sexual lust then men would be raping attractive women in the cereal aisle at Coles. We’d also have to ban men from the beach during summer.
The truth is that research shows that men who sexually assault women do so in a calculated fashion based on three primary factors.
1) Access to the victims: perpetrators select or groom potential victims whom they have direct access to. It is a deliberate and thought through process.
2) Perceptions of the victim’s vulnerability: perpetrators choose victims they perceive as being more vulnerable than others. But it is important to note that vulnerability can take many forms. Women who are unconscious or heavily intoxicated may be more vulnerable than other women. Perpetrators must always be held 100% accountable for their actions and it is nonsense to suggest that the more drunk a woman is, the less responsibility a man has to take for his own behaviour. Disturbingly, perpetrators also identify and prey on other types of vulnerabilities. For example, blind, deaf, physically and intellectually disabled women are sexually assaulted at a much higher rate than the rest of the population. This is because they are perceived by some as being more vulnerable and less likely to report to police- particularly if they have trouble with communication skills or if they are dependent on their abuser (such as if their abuser is a carer). Perpetrators also target other populations which are perceived as being more vulnerable either physically (such as children or incapacitated women), socially (such as individuals who have no strong friendship or social networks who might encourage them to report), women who are dependent on the abuser in some way (such as in cases where the abuser is in a position of power such as an adult relative or boss) or perpetrators who know that their victims are unlikely to be able to access support and judicial services for a range of other reasons (such as sex workers who are often not believed, victims in same-sex relationships or victims who have previously had consensual sex with the abuser- such as wives and girlfriends).
3) The likelihood of them being caught and reported on: Perpetrators also weigh up the likelihood of being interrupted by a witness or witnesses and they make a series of calculated decisions based on location and risk. In particular perpetrators often manipulate victims into a location where they have more control over the situation. This is all done to avoid detection and to maintain power over the situation and the victim.
The point of this is to stress that rape doesn’t happen by accident. Research shows that perpetrators know what they are doing and they make a series of detailed decisions around their behaviour. So it is ludicrous to suggest that men can’t help it. The overwhelming majority of men never rape. Those who do, do so deliberately and must be held to full account.
The next thing to say is that silence is not consent. “I’m not sure” is not consent. “Maybe later” is not consent. “Yes” tonight is not “yes” tomorrow night. Consent must be active and given freely and without any force, pressure or coercion by someone who has the capacity to consent each and every time. You clearly did not give consent. You are not to blame AT ALL and full responsibility lies with him and him ALONE.
I also note that you feel concerned that you would be either blamed or not believed if you spoke out. I wish I could tell you, “no! you are wrong!” but your concern is not irrational or unjustified. Unfortunately we still live in a society where victim blaming mentalities exist. Approximately 85% of victims will never report to police because they do not trust the justice system. And with the odd exception, this is justified. Less than 1% of sexual assault cases in NSW are successfully prosecuted.
Victims do often disclose to a family member or trusted friend. But unfortunately even those who love us are often schooled in the same victim-blaming mentalities as the rest of society and they usually blame the victim, interrogate them as though they don’t believe them, or minimize the experience by saying things like “maybe you are exaggerating” or “maybe you just misinterpreted things”. BUT THERE IS HOPE!
So we are clear about this, a person’s capacity to recover (and recovery is possible!) is directly dependent on a number of factors (including the relationship they hold with the abuser, the length of time between the assault or assaults and the decision to speak out, the nature of counselling (if any) they receive on disclosure, prior mental illness or drug and alcohol dependence …. Etc etc). But without question, the number one thing that determines a person’s ability to recover is the types of attitudes they encounter on disclosure. Victims who are believed, supported, not judged, and treated with the dignity, compassion and respect they deserve are far more likely to recover than those who are blamed, humiliated or not believed.
As a community it is vital that we support survivors and their supporters. There are three things I always tell survivors who disclose to me.
1) I am sorry this has happened to you (translation: “I believe you”).
2) What has happened to you is a crime (translation: “you are not to blame”)
3) I will do whatever I can to help (translation: “you are not alone”).
These were things I wished someone had said to me when I was sexually assaulted almost four years ago. While we cannot all be counsellors it is my hope that we can better educate the public so that those of us who fall into the role of an accidental counsellor (this is someone who is not a trained counsellor but who finds themselves- unexpectedly- on the end of a disclosure) can better respond to survivors with empathy, compassion and a desire to protect their best interest.
I also want to stress that while it is wise and prudent to think through who you can disclose to (as some people just don’t get it), there are expert counselling services out there (which are also free!) for individuals who have experienced sexual assault and for those who support them. I can firmly recommend the following.
NSW Rape Crisis Centre offers a 24/7 hotline run by trained experts for survivors and anyone supporting a survivor. Their number is 1800 424 017. They also have a live 24/7 real time internet counsellor, because sometimes it’s often less confronting to type rather than to have to speak out loud. The link to that service can be found on their website here.
A nationwide service can also be reached on 1800 RESPECT. This line is run by trained experts for victims of sexual assault or domestic violence- as well as their supporters.
Most of all I wish for you to know that you are not alone and that there is a community of us out there who really do care about you and who are appalled by what you have experienced. Please, PLEASE know that what you have experienced is not just an abuse. It is a HUMAN RIGHTS abuse and that there are many- like me- who care. Reading your words moved me to write this post. I hope it has some impact- no matter how small.
It’s rare to see a man talk so honestly about how frequent on-line porn use impacts real world relationships. While of course the author appears to be writing from a purely selfish perspective: this is how porn screws with my sexual relationships and why I gave it up for four days – rather than a realisation of its mass industrialised dehumanisation of women – at least it may give other men cause to examine their own compulsive habits. And, hopefully, for women to seek men who want something more than porn sex.
David Rothbart relays how porn re-shaped the desires of a number of men – men who previously had happy, loving relationships with their partners. Here’s what some of them told him.
Perry, 41, lawyer:
“I used to race home to have sex with my wife… Now I leave work a half-hour early so I can get home before she does and masturbate to porn…Not to be mean, but they’re younger, hotter, and wilder in the sack than my wife…Me and her, we still ‘do it’ and everything, but instead of every day, it’s maybe once a week. It’s like I’ve got this ‘other woman’ … and the ‘other woman’ is porn.”
Stefan, 43-year, composer:
“I’ve got to resort to playing scenes in my head that I’ve seen while viewing porn. Something is lost there. I’m no longer with my wife; I’m inside my own head.”
Ron, 27, architecture student:
“I guess I’ve been fading from her. It’s like all that time with these porn stars was subduing any physical desire for my girlfriend. And, in some weird way, my emotional need for her, too.”
And here’s what one woman had to say.
Sadie, 29 real-estate agent:
“There is no glory in trying to make love to men who only know how to f**k—man after man after man after man raised on porn…A lot of guys have come to expect P.S.E. [the ‘Porn-Star Experience’] as a common thing… A few [women] might enjoy it, but for most it’s harrowing. I think there’s a fear that if they can’t make it happen, their boyfriend will retreat online.”
Porn’s socialising effect on boys: girls pressured to provide naked images
In a piece titled ‘They Know What Boys Wants’ by Alex Morris, the New York Magazine also gave us an inside look at how porn is shaping the attitudes of boys towards the girls in their lives. Rarely is there the slow-burn of a relationship developing: girls are treated as living sexual performances from younger and younger ages. Porn conditions boys to becoming sexually demanding. Girls have to pay for relationships with sexual tokens. In an account relayed to me last year, a schoolgirl was told by a boy: “If you give me [oral sex] I’ll give you a kiss.”
This extract from the New York Magazine piece:
“I wouldn’t mind if they said, ‘Send me a picture of you,’ just a regular picture, with everything on,” says Samantha…“But it’s like the way they ask for it? Naked?”
Tricey nods. “It affects them, the Internet. The guys expect to just chat girls up online, but when y’all see each other and y’all go out or whatever, the only thing that they want to do is get in the bed.”
Star, who’s 14, rolls her eyes. “Yeah, that’s the only thing they talk about.”
“I think they’re pressured by the Internet,” says Tricey. “When you see some of those things, you actually get a negative mind.”
Samantha frowns. “They see a pretty girl on the computer, big boobs or whatever, so they’ll be like, ‘Okay, I want a girl like that.’ ”
Do you relate to any of these accounts? Willing to tell me about it? You can post as a blog comment or contact me through the form at the top of this page.
Kanye West petition update
Well wasn’t that fun. After being attacked and ridiculed in The Punch on Wednesday, I woke yesterday morning to find 2000 additional signatures on our Care2 petition protesting Kanye West’s horror porn music video Monster. Another 3000 were added during the day, which meant we had surpassed our goal of 10,000. There are now 13,500 signatures.
Buddy Franklin and Nena&Pasadena and their porn inspired tees update
The AFL has had nothing to say to my question asking how Hawks star Lance ‘Buddy’ Franklin’s porn-inspired t.shirts fit in with the League’s ‘Respect and Responsibility policy. See my piece from ABC The Drum Unleashed here . Hello AFL, we’re waiting! Or don’t you think it matters that your players are flogging t.shirts which reduce women to sex objects?
Dull, derivative, repetitive
While we’re waiting for a response from the AFL, you must read this from a fashion industry insider, posted in comments to my ABC piece:
Fashion Merchandise Planner, 16 Feb 2011 9:07:28pm
You are seriously deluded if you think what you produce is fashion. Having worked in the industry for over 20 years for some of Australia’s leading retailers and fashion houses (both high end and mass market) I can tell you that what you produce is barely a blip on the Australian fashion scene and you wouldn’t rate a mention anywhere it counts… ‘edgy’ give me a break… bogan streetwear more like it. Maybe a Design Degree would give your ‘designers’ a richer troff to plunder from. The t-shirts are dull, derivative, repetitive and would do well in the markets. I don’t normally get personal but to sell your two bit company as an Australian success story is really stretching it. You produce unimaginative dull T-shirts for 20 somethings who think that a naked woman on a T-shirt is an artistic statement.
I am neither a Christian nor a prude just a highly successful and respected retail professional who has seen people like you come and go in droves. Believe your own marketing spin at your peril.
Lets have this conversation in two years time… or will you like the hundreds of other ‘talented designers’ crying into your beer and complaining that no one understands how you suffer for your art.
You produce unimaginative cheap T-shirts lets just call it what it is. You know sex sells and you are too dull to come up with anything better that tits and arse… congratulations you just discovered sex… like no one has ever done that before…
Nena + Pasadena’s fashion statement celebrating the objectification of women
Wondering how some of our footballers are putting their Code’s ‘Respect and Responsibility’ policies into practice?
Curious as to whether all the effort that has gone into addressing sexual misconduct, harassment, indecent exposure, violence and other myriad manifestations of disrespect for women? (You’ll find some here)
Perhaps Hawthorn star Lance “Buddy” Franklin can help us answer these important questions?
Here’s some t.shirts he has designed – and is seen here proudly modeling – for his Nena and Pasadena brand.
Franklin is headless wearing in the t.shirts above. But of course it’s him.
A topless women, with her breast and nipple visible, has her head wrapped in a scarf. Perhaps that’s because her face – and her full humanity – don’t count that much. A headless woman, her butt cheeks glowing and emphasised. Because, again, no need to bother with her face. The man in the photo with her is not revealing his backside. They pretty much never do.
Another image depicts a topless woman covering her breast with her hand. ‘Angel of silence’ reads the slogan. The best kind of women right? They let their bodies do the talking and keen their mouths shut. This image features on billboards.
Up until a short time ago the same ‘Angel of Silence’ image was also the profile picture for Nena and Pasadena’s facebook page. It’s been replaced with a new one of Franklin in a t.shirt with a bearded man on it. That man has clothes on.
The AFL’s Respect and Responsibility Policy “represents the Australian Football League’s commitment to addressing violence against women and to work towards creating safe, supportive and inclusive environments for women and girls across the football industry as well as the broader community”.
In serious tones, the Code informs us that ”in March 2009, the AFL, in cooperation with State League/TAC Cup Clubs, commenced delivering a State League Respect and Responsibility Module. The aims of the Module are to:
• Promote safe and inclusive environments for women and girls at all levels of Australian Football and the wider community;
• Increase players understanding of how sexual assault, violence, harassment and abuse can affect the lives of women and girls;
• Provide practical information that assists players to understand the meaning of consent, and identify situations that have the potential to go wrong; and,
• Provide players with information that may assist them to build and maintain social relationships with women that are healthy and respectful.
I asked anti sexual violence campaigner Nina Funnell, who trains other elite sporting codes on their attitudes towards women, sex and consent, what impact she thought these t.shirts could have:
It is vital that sporting codes and individual athletes who undertake and commit to respectful relationship courses are consistent in their behavior. To superficially pay lip service to respecting women while simultaneously perpetuating attitudes or behaviors that either objectify or harm women is not only disingenuous and insincere, it is destructive as it undermines respect for women as a value. To send a confusing message on this topic is worse than sending no message at all.
AFL players are recognisable public figures. They get paid the big bucks for a reason and it is their responsibility to exercise due diligence in thinking through the issues and brands they endorse. Like other athletes and public figures, they must take responsibility for this. “
The t.shirts are a form of harassment. They normalise sexualised representations of women and send a message that women are merely ornaments and decorations whose sole role is to bare their flesh and gratify men. They erode efforts of the AFL to change the disrespectful attitudes of many of their players. And they make the work of women like Nina Funnell even harder.
Does Franklin share the patronizing and dismissive views of his business partner Tim Arandt who has been sending this reply to Collective Shout members who have voiced their complaint?
Thanks for your comments and views but we feel we know what young people want to wear so we choose to continue our design concepts in full. I have three teenage boys of my own and have discussed your email with them, they were humored by your thoughts and added that the 6 o’clock news contained far more adult contact than a tshirt!! If you feel that we degrade women or promote violence against women please further your emails to the editor of the herald sun.
So teenage boys are now the leading experts on understanding the nuances of how the repeated sexualisation of female bodies affects young women’s self esteem and experience of public space? They are the arbiters of cultural standards regarding young women? The same boys whose views are reflected in a recent White Ribbon foundation report which found that one in seven teen boys thinks it is permissible to hold a girl down and force her to have sex if she has flirted or ‘led the guy on’.
But back to Buddy Franklin. Interesting to see he weighed in on the St Kilda nude photo scandal.
“I know that the AFL puts in place things at a young age, as soon as you get drafted, where you’ve got to be smart enough to know what’s going on in your private life and not to do things that are going to get out in public.”
Maybe Lance buddy, you should have kept those t.shirts of yours in a cupboard.
Collective Shout colleague and Managing Director of BodyMatters Australasia Lydia Turner has written an important piece for Healthy Weight Week highlighting the conflicts of interest in anti-obesity research. She urges a health-based, not weight based approach to health.
This week marks the start of ‘Healthy Weight Week,’ brought to you by the Dieticians Association of Australia (DAA).
With the DAA claiming that 61 per cent of Australian adults and 25 per cent of Australian children are either overweight or obese, many people would think this is a great initiative. So why are a growing number of health professionals opposed to this campaign?
It is not well enough known that 95 per cent of obesity research is funded by private industry including Big Pharma. Corporations not only fund research, but entire university departments, charities, and educational programs as well. Seeing corporations jumping into bed with public health initiatives should raise suspicion. It is essentially putting the wolf in charge of the sheep.
Just last year the Centre for Obesity Research and Education (CORE) – a department of Monash University – published a study that found lap-banding procedures were appropriate interventions for obese teenagers as young as 14. What they didn’t reveal, however, was that the study was funded by Allergan, Australia’s largest manufacturer of lap-banding products. In mid-2010, Allergan sought approval from the Food and Drug Administration (FDA) to market lap bands to US teens after sponsoring clinical trials, essentially opening up the global teenage market for profit. Read more>>
What to do if you think your child is ‘overweight’
Julie Parker over at Beautiful You, has some good advice for parents who may be concerned about their child’s weight. You can read it here.
I’ll take mine dead, thanks. Horror porn is not ironic.
[Trigger warning for victims of violence]
When you look at this image, what do you see? An ambigious, complicated narrative? A post-modern analysis of culture? A man who loves his mothers and sistas?
And what about this one? Do you see poetic form? Linear narrative fantasy?
How about this? Satire? Irony? A work of art?
These are the kinds of descriptions being employed to justify Kanye West’s Monster video clip, lyrics and general body of work. (You can find some of this analysis here and here).
When I see these images, I see violence against women. I see glamourised misogyny and eroticised violence. I don’t see Kanye’s carnival of carnage as an art form or as post-modern cultural commentary.
These images and more are available on-line (leaked version, no, I’m not providing the link) and coming to a TV screen near you when Kanye West’s almost 18-minute Monster video clip is officially released at any time.
Here’s another image.
That last one is from a ‘Behind the scenes’ You Tube clip. That’s Rick Ross by the way, tucking into a plate of raw meat while taking in the view of a spreadeagled dead woman on the table. Looks like those rappers had a blast making the Monster vid. I tried hard to see the satire but couldn’t find it.
Monster is a track on Kanye’s new album My Beautiful Dark Twisted Fantasy which went platinum yesterday. His fans are calling him the best rap artist in history and a “genius.”
King Kanye has produced a carnage of female corpses, brutality, death. It is horror porn.
The Monster video depicts scenes of a murderous rampage with most of the dead being women. Dead women in lingerie swing from chains around their necks. Naked female corpses adorn the furniture. Two other female bodies are joined by West in bed. He kisses one. There are overtones of necrophilia.
Having viewed the preview and the behind the scenes clip, (which I first wrote on ABC The Drum/Unleashed) , I had wondered whether the full length version could possibly be more chilling. It is. There is the decapitated woman’s head scene (above). Nicki Minaj is a sword wielding dominatrix, terrorising her (at times) hooded female tulle-attired victim (Minaj doubles as both). Nothing like a bit of women-on-women violence to liven things up.
One exception to the dead-bitches-are-the-best theme is what appears to be a young boy being devoured by two female-like creatures. Of course this is to be condemned also.
The album’s one million sales will no doubt drive even more interest in the Monster video. Which makes the petition we have going against it even more important.
Universal Shame: Act to prevent the release of this monstrous video
Sharon Haywood and I started a petition sponsored by Adios Barbie, Collective Shout, and the Coalition Against Trafficking Australia, (since also sponsored by Coalition Against Trafficking International and Media Watch) calling on Universal Music Group to withdraw the video.
The petition is directed to CEO/Chairman of Universal Music Group Doug Morris (email@example.com) and CEO of MTV Judy McGrath. (firstname.lastname@example.org). It can be found here . (You can also read an interview with Sharon Haywood about the campaign, at this link ).
We believe that the mainstreaming of videos like this increases desensitized and callous attitudes toward violence against women. Young people are seeing images and absorbing harmful messages which glamorise misogyny and brutalise women. Women are reduced to sex-doll like playthings. The Monster video conveys a message that women are slaves and bitches who can service a man’s sexual needs, even when they are dead. Men are brutal and dominant, and have no empathy for women. Men enjoy dead women as sex and entertainment.
We decided to run this campaign because we wanted to challenge the status quo – the increasingly common view that women’s pain and suffering is perfect for entertainment.
We believe West’s work will contribute to a culture that is already dangerous for women and girls. West just paid $200,000 for a custom- made watch made with his face on it . Think what that could do to address violence against women. Violence against women we believe his work is contributing to.
Bitches are only good for three things
Violent lyrics, combined with brutal visuals, are socialising young people and helping form their view on relationships and sexuality. Monica R, commenting on the Care2 petition site, wrote on the weekend:
…I am in the hood Monday through Friday. I teach there, in a very rough zip code. This crap is the ONLY music these kids listen to, so it has everything to do with violence against women because it forms their opinions.
OK, it’s just a video to you. But I have to hear the high school boy say “b–ches are only good for three things, f—ing, cooking, and cleaning.” I have to hear the high school girls refer to each other (their FRIENDS) as “b–ch” and “ho”, and hear them explain how you know a boy really loves you if he hits you.
I’d love it if rappers would come clean about their college degrees, but instead they pretend to be “hood” while living a wealthy lifestyle. They promote the ideas that the measure of a man is how many b–ches he can f—, or how much violence he can do, and that women’s only value is what’s between their legs, and as a punching bag. And that harms women and men.
You have blood on your hands, and you should be deeply, deeply troubled at the culture that you’ve helped to create.
While not specifically naming West, international recording artist Moby may as well have in this article from 2005.
In it, Moby asks why is racism seen as bad but misogyny seen as cool? He says anyone creating or promoting music which glamourises misogyny should be ashamed: “you have blood on your hands, and you should be deeply, deeply troubled at the culture that you’ve helped to create”.
i’d like to write about misogyny. a few years ago when the prodigy released ‘smack my bitch up’ i spoke up and criticised the song for being overtly misogynystic and irresponsible. i was in turn criticised on radio for ‘being too uptight’ and not being relaxed enough to appreciate the ‘humor’ in misogyny.
then 5 years ago i spoke up about the pernicious and pervasive spread of misogyny in popular culture, and again i was crticised for making a big issue out of something that no one else seemed to care about.
i respect the prodigy and i respect eminem as talented and relevant musicians, but i spoke up because i found the misogynystic content of their lyrics(among many others) to be deeply offensive. even if they themselves are not misogynysts
i found it irresponsible that they, and many others, would release music that glamourized misogyny.
2 months after ‘smack my bitch up’ was released i went to visit a friend of mine who was in hospital after being beaten by her boyfriend. she had brain damage and multiple fractures due to his pushing her down a flight of concrete stairs.
misogyny is not funny. it is not a joke. and it should not be treated lightly.
and now we find out that a british man who is obsessed with eminem killed a woman with a metal baseball bat
and stuffed her body into a suitcase.
am i being ‘too uptight’ for not seeing the humor in this?
Bob Herbert in an article titled ‘Women at Risk’ in the New York Times in 2009, made this point:
We have become so accustomed to living in a society saturated with misogyny that the barbaric treatment of women and girls has come to be more or less expected.
We profess to being shocked at one or another of these outlandish crimes, but the shock wears off quickly in an environment in which the rape, murder and humiliation of females is not only a staple of the news, but an important cornerstone of the nation’s entertainment. Read full article here
Let Universal and MTV know that the victimization of women as a valid form of entertainment is never acceptable and the video needs to be withdrawn. Kanye West and his management should also apologise.
With contributions from Rick Ross, Nicki Minaj and Jay-Z, the Monster preview is a mini horror movie – with all the horror suffered by women. The men don’t seem horrified at all by the female corpses littered through the haunted mansion, the apparent victims of a serial killing. In fact, they seem to quite like it. It seems to turn them on.
Some of the descriptions of the sneak preview video mention ‘bodies strewn around’. Yes, there are bodies. But they are all women’s bodies. As far as I could tell, there are no dead men, just dead women.
This is gendered violence. It’s not depicting just any old corpse but a clearly female one and then, clearly eroticised.
Dead women a turn off? Not at all. Kanye West, on the bed with the two young white dead women, shows no hesitation. He moves the lifeless arm of one onto the leg of the other, before cupping the porcelain like face of the first woman to kiss her.
Hanging from the rafters in stiletto heels, standing rigid in lingerie, expired on a bed. The white women in these scenes are depicted as subordinated to the black man, reminiscent of the pornographic representation of black men who love to ravish white women, to tarnish and spoil their ‘pure’ bodies.
Limp, floppy, rendered powerless these doll-like bodies retain their seductive, sexual allure. Sure, they might be dead. Sure they can’t consent. Sure they wanted it.
I wonder who thought of this scene?
In the ‘Behind the Scenes’ youtube clip for Monster, another rap artist, Rick Ross, is seated at the head of a table. Before him is a plate laden with large slabs of raw red meat.
Also on the table, a dead woman, in underwear, her stockinged legs spread-eagled on either side of the plate. Perfect viewing for the royal Ross as he tucks into the meat and wine (her flesh and blood?).
In another scene, Ross reclines on a long couch, nonchalantly smoking a cigar while women hang dead and slightly swaying, from chains around their neck.
The only two living women seem to be a maid and the black female rapper (often likened to a black Barbie doll) Nicki Minaj. They may be alive. But they are still subordinated.
The maid genuflects to Ross as she serves him. Minaj is on all fours baring her teeth like an animal about to be attacked. Her backside, swathed in black lace, is in the ‘presenting position’. As one of the youtube preview clips describes it: “This is a 30 second sneak peak of Nicki Minaj’s HUGE ass.”
This representation continues the legacy of the fetishization of black women’s ‘booty’.
As to the lyrics, there’s the usual repetition of ‘muthaf-ucker’ and bitches and the obligatory references to oral sex (‘Head of the class and she just want a swallowship’).
Then there’s these lines: “I put the p-ssy in the sarcophagus” (which, in case you’re wondering, is a flesh eating coffin) and “rape and pillage a village, women and children”.
The clip is not only interested in fetishizing female bodies – it revels in fetishizing female pain, female passivity, female suffering and female silence. The ultimate female is the quiet, passive female – a mannequin – who accepts violence, abuse and suffering while remaining hot and sexy.
Expect to hear boys singing along to it soon. This is the message they are imbibing:
Women are slaves and bitches who can service a man’s sexual needs, even in death. Men are brutal and dominant, and have no empathy for women. Men enjoy dead women as sex and entertainment. The female body is to be devoured, reduced to the same status as meat. Female bodies should be displayed before men as a great feast for their consumption.
And the creators of this feast of violence will probably win a ton of awards and commendations and sponsorship deals from major companies.
Antoinette Jones – Principal – Mitcham Girls High School
“Intelligent, passionate, brilliant, fearless… I could not recommend her more highly”
Dr Michael Carr-Gregg
“You continue to reset my shock meter…”
“As a teacher and parent I recommend all parents, in fact all people, to attend a talk by Melinda- it will open your eyes and awaken your subconscious.”
Heather Douglas – Parent – Pembroke School
“Melinda’s presentations to our parents, staff and full day workshops to students was inspirational, transforming the attitudes and thinking of all involved”
Paul Teys – Principal – Hunter Valley Grammar
“Melinda Tankard Reist’s presentation to Middle and Upper School students at Pymble Ladies’ College was absolutely brilliant!”
Justine Hodgson – English Faculty, Pymble Ladies’ College
“Melinda Tankard Reist has had a transformational affect on our school.”
Ms Stephanie McConnell, Principal – Turramurra High School
“As you read, be prepared to feel both grief and rage.” Robert Jensen
“These accounts are among the most unsettling you will ever read.” Steve Biddulph
“This powerful and humane book is a breakthrough…Big Porn Inc shows us we are poisoning our own spirits.” – Steve Biddulph
“A landmark publication” – Clive Hamilton
Purchase Big Porn Inc, Getting Real, Faking It, Men of Honour, Sexts Texts & Selfies, Raising Girls, Raising Boys, MTR DVD, Ruby Who? DVD & book, Girl Wise guide to friends, Girl Wise guide to being you, Girl Wise guide to life and Girl Wise guide to taking care of your body, and the new Wise Guys for the combined discounted price of $250.
‘The foremost authority in Australia cyber safety lays it on the line and challenges parents to find their digital spine.’ – Dr Michael Carr-Gregg
Whether it is problems with friends, worrying about how you look or just feeling a bit down in the dumps – these books are written especially for you – to help you in your journey. Purchase all four together and save $18.50 on postage! Author: Sharon Witt
In this DVD, Melinda takes us on a visual tour of popular culture. “Melinda’s presentation leaves audiences reeling. She delivers her message with a clarity and commonsense without peer.” – Steve Biddulph, author, Raising Boys, Raising Girls
In this easy-to-read updated book, Steve Biddulph shares powerful stories and give practical advice about every aspect of boyhood.
“Overflowing with incisive understandings…a comprehensive and in-depth guide.” – Dr Michael Carr-Gregg, Consultant Child and Adolescent Psychologist
Men of Honour -written by Glen Gerreyn- encourages and inspires young men to take up the challenge to be honourable. Whether at school, in sport, at work or in relationships, we must develp our character to achieve success and experience the thrills life has on offer.
Purchase the Ruby Who? DVD and book together for only $35 saving 10% off the individual price.
“Getting Real contains a treasure trove of information and should be mandatory reading for all workers with young people in health, education and welfare” – Dr Michael Carr-Gregg, Adolescent Psychologist
Do you read women’s lifestyle magazines? Have you thought about how magazines might affect you when you read them? Faking It reflects the body of academic research on magazines, mass media, and the sexual objectification of women.
Ruby Who? is the sweet and innocent story of a little girl’s adventure in re-discovering her identity. Ruby wishes for so many things and dreams of being like others. Will she end up forgetting how to just be herself?
Ruby Who? is the sweet and innocent story of a little girl’s adventure in re-discovering her identity. Ruby wishes for so many things and dreams of being like others. Will she end up forgetting how to just be herself?
Defiant Birth challenges widespread medical, and often social aversion to less than perfect pregnancies or genetically different babies. It also features women with disabilities who were discouraged from becoming pregnant at all.