‘What I’ve learned from Twitter is that it doesn’t matter what I do. It didn’t matter what I’ve done, what I’ve said, what I’ve written. My body of work doesn’t matter and my actual thoughts don’t matter. Not to those who have decided to hate me’
I’ve got a problem with Meghan Murphy and her Feminist Current blog. Every time I go there I want to re-print pretty much everything she writes. Here’s her latest. And yes, if you’re wondering, this piece resonated. A lot. Especially a week into the twitter response to my piece in Fairfax papers on the need for Australia to follow France’s lead in adopting the Nordic approach to prostitution last week (no, I’m not ‘whorephobic’ and no, I don’t want all sex workers to die).
I love the internet. I really do. And I can’t stand the luddites who romanticize the days where people talked. Face to face. Or called each other. The phone? Really? Please. Fuck the phone. The internet is magic.
I have found dozens — I’d even be so bold as to say hundreds — of brothers and sisters across the globe who I would have otherwise never found, if not for the ability to connect online.
So I have no interest in blaming technology or social media for people’s behaviour or arguing that Twitter is unequivocally “bad” (or “good,” for that matter). Things are never quite that simple. But what I will say is this: Most days I hate Twitter. And many days I think Twitter is a horrible place for feminism.
While I would never argue that feminists stay off of Twitter and do tend to believe it’s a necessary evil, of sorts, if you are in media/writing/journalism, I don’t think it’s a place for productive discourse or movement-building. I think it’s a place where intellectual laziness is encouraged, oversimplification is mandatory, posturing is de rigueur, and bullying is rewarded. I think it’s a place hateful people are drawn towards to gleefully spread their hate, mostly without repercussion. And more than half the time I feel as though I’m trapped in a shitty, American, movie-version of high school that looks more like a popularity contest than a movement to end oppression and violence against women. Read full article here.
And also this morning, I had to explain to someone why stripping and nudity aren’t actually acts of feminist defiance, but the same old male appeasement in a shiny new package. There’s always some group of so-called feminists trying to get away with this. It doesn’t work, because getting naked is what men want women to do.
Doing what men want is appeasement. Feminism is resistance. Appeasement and resistance are opposing forces; the more you do of one, the less you can do of the other. That’s why these groups are insidious; they divert feminist energy into meaningless acts that only serve male interests.
Men don’t care if you write incendiary messages of revolt all over your naked body, as long as they get to see that body. When they hear you call yourself a slut, they won’t know that you’re being ironic and that you’ve reclaimed the word. And they won’t care, because irony is just another flavor of appeasement. They’ll call you a slut in a totally non-ironic, non-reclaimed way. And they’ll insist that insulting you is okay because you’re doing it to yourself. Read full post here.
US Rapper Tyler The Creator unleashes a torrent of hate on Sydney activist
By Talitha Stone
I’m a 23-year-old psychology student from Sydney and in June this year, I was subjected to a horrific torrent of abusive tweets from fans of touring American rapper Tyler Okonma. I challenged Okonma’s lyrics which encourage rape and violence against women by vocally supporting a petition on change.org that suggested he shouldn’t be playing all-age shows.
At Tyler’s concert in Sydney the next day, he told his fans he hoped my children got STDs, and “dedicated” songs to me that included lyrics like “punch a bitch in her mouth just for talkin’ shit”.
The abuse started almost instantly. First a drip, then a rush, then a flood. I felt physically sick. He had 1.7 million fans, and it felt like every single one of them had some violence stored up for me – a promise to assault me, the threat that they would rape me, an expression of hatred for my life and my freedom.
It was terrifying at first, and then I started to feel totally disconnected from myself. When one of them said he was going to mutilate my body, I couldn’t comprehend that he could be talking about me. The messages were coming at such a rate I couldn’t keep up.
Tyler Okonma, aka Tyler The Creator, is a member of powerful hip-hop collective Odd Future Wolf Gang Kill Them All (usually abbreviated to OFWGKTA or Odd Future). It’s unclear how many members are part of the collective (somewhere between 25 and 60), but its best-known members are Okonma, Earl Sweatshirt, Syd tha Kyd, Hodgy Beats and last year’s Grammy-winning breakout artist, R&B singer Frank Ocean.
As a solo artist, Okonma has released three albums, his horrorcore-style lyrics taking in subjects such as violence, rape fantasies, murder and even necrophilia.
His lyrics include:
“F— Mary in her ass.. ha-ha.. yo, I tell her it’s my house, give her a tour, In my basement, and keep that bitch locked up in my storage, Rape her and record it, then edit it with more shit”
“You call this shit rape but I think that rape’s fun, I just got one request, stop breathin”
“I wanna tie her body up and throw her in my basement, Keep her there, so nobody can wonder where her face went, (Tyler, what you doin’?) Shut the f— up, You gon’ f—in’ love me bitch, Shit, I don’t give a f—, your family lookin’ for you, wish ‘em good luck, Bitch, you tried to play me like a dummy, Now you stuck up in my motherf—in’ basement all bloody, And I’m f—in’ your dead body, your coochie all cummy, Lookin’ in your dead eyes, what the f— you want from me?”
I received threats from Okonma’s fans constantly for two weeks and I still get the odd tweet of abuse today. In a tone eerily similar to Okonma’s lyrics they sent messages like: “shut the f— up cuz if I see you on the streets I’m gonna snatch u in a alley and force this d— in you,” “how’s that for promoting rape? I’m f—ing DOING it! So watch ur back, but ur families will be first” and “you know you secretly want @f—tyler to forcibly penetrate your anal cavity”.
On the flipside I received an abundance of support from friends and family. People who read about my experience in The Sydney Morning Herald and other media outlets couldn’t believe that this kind of behaviour was being tolerated in Australia.
When I was attacked I did all the things you’re meant to do: I reported individual tweets to Twitter (after diligently filling out their long-winded forms) and was staggered to be told that tweets like this did not breach their guidelines: “f—ing waste of flesh worthless female. its girls like u who make guys want to #rape a helpless pussy like u”.
I blocked the people abusing me and then I reported it to the police, who said there was nothing they could do, other than work with Twitter. Their advice was to delete my account, and not provoke people – letting the abusers win.
After thousands of threats of rape, murder and experiences like mine, Twitter has recently announced that they’ll be rolling out a report abuse button on all platforms. That’s a great first step, but it’s kidding itself if it thinks this will solve the problems faced by myself and millions of other women right around the world. It’s also underestimating the consequences of creating a powerful global platform that is unsafe for women to share their opinions on.
Twitter’s rules and processes are badly broken. Other tweets, to other users, that Twitter has said are within their guidelines include: “I will rape you when I get the chance” and “Ur a f—ing faggot, go kill urself.” If you’re a woman who has used Twitter to talk about things that matter to you, chances are you’ve had a similar experience. Chances are, even if you report each and every abusive, threatening tweet, many of them will be OK’d by Twitter and the abuse will continue.
Twitter has significant power, and is playing an important role in world affairs – but it’s facing a critical moment. The people who run Twitter, like Del Harvey, Twitter’s head of trust and safety, need to realise that the platform must enable people to talk about the things that matter to them without facing a torrent of threats and abuse.
I’ve joined a global petition to get Twitter to stop rape abuse on its platform. The campaign was inspired by Caroline Criado-Perez, a British feminist who used a petition on change.org to fight to keep a woman on banknotes in Britain. Immediately after she won that campaign, she faced the horrendous backlash of violence and threats that come to so many women who raise their heads online. The momentum from her campaign for reform is now beginning to put pressure on Twitter, and I hope an international outcry will get them to act with a comprehensive zero-tolerance policy for abuse.
Public discourse shouldn’t be something anyone should have to “learn to deal with”. Twitter can, and must, play an active role in being a positive voice among the multitude of violent tweets some of its users dish out. Twitter’s actions here can have life-saving consequences – but it needs to act, swiftly and effectively.
We are now asking Twitter Australia to meet Talitha. Support this call by tweeting at @TwitterAu and asking them to #meettalitha, who started the petition at www.change.org/twitterabuse
The price you pay for activism – but it won’t stop us
[Warning: threatening, sexually violent language]
Caitlin Roper, my fellow Collective Shout activist in the West, has put together this montage of some of the abusive and threatening tweets we receive on a regular basis. We want people to know just how bad this is. We don’t believe women who speak out on issues should be threatened like this. Police have taken no action.
My friend and fellow Collective Shout activist Talitha Stone has launched this petition calling on Twitter to add a report abuse button to tweets. Please support this brave and gutsy young woman.
In June this year, I was subjected to an horrific torrent of abusive tweets from fans of rapper Tyler Okonma on twitter when I challenged his lyrics which encourage rape and violence towards women. The abuse was unbelievable. It included direct threats of rape, and at one point, twitter users tried to publish my address. Worse, I was told by police there was no way to stop it other than deleting my account: letting the abusers win.
Nothing has changed. Recently, Caroline Criado-Perez, who campaigned to keep women on banknotes in the United Kingdom, has been targeted repeatedly, with rape threats over three days because of her campaign. We have to be able to change this – and urgently.
Women should be able to speak out without facing threats of rape and assault.
I’m asking for your help to get Twitter to urgently add a Report Abuse Button to tweets on all platforms. It won’t fix everything – but it’s a good start. We know they’re listening – but they need to move quickly – this is out of control.
At Tyler’s concert, he told his fans he hoped my children got STDs, and “dedicated” songs to me that included lyrics like “punch a bitch in her mouth just for talkin’ shit” – the people who responded to his call to arms are still free to do to everyone else on twitter what they did to me.
It’s time Twitter took a zero tolerance policy on abuse, and learns to tell the difference between abuse and defence. Women standing up to abuse should not fear having their accounts cancelled because Twitter fail to see the issue at hand. This behaviour would have people banned from other public spaces – it’s barely acknowledged as being wrong on twitter.
Please sign my petition to ask Twitter to urgently add a Report Abuse Button to tweets on all platforms.
Statement from twitter:
We hear you
Monday, July 29, 2013
At Twitter, we work every day to create products that can reach every person on the planet. To do that, we must take a wide range of use cases into consideration when designing interfaces or developing user tools. We want Twitter to work whether you are trying to follow your favourite musician, talk to others about shared interests, or raise the visibility of a human rights issue.
We also have to think about scale and volume. We see an incredible amount of activity passing through our systems – there are more than 400 million Tweets sent every day worldwide. Those Tweets not only appear on our site and in our apps, but are also embedded into the fabric of traditional and digital media.
The vast majority of these use cases are positive. That said, we are not blind to the reality that there will always be people using Twitter in ways that are abusive and may harm others.
While manually reviewing every Tweet is not possible due to Twitter’s global reach and level of activity, we use both automated and manual systems to evaluate reports of users potentially violating our Twitter Rules. These rules explicitly bar direct, specific threats of violence against others and use of our service for unlawful purposes, for which users may be suspended when reported.
To the extent that our system is based around the filing of reports with our Trust & Safety team, we strive to make it easier and more practical to file them. Three weeks ago, we rolled out the ability to file reports from an individual Tweet on our iPhone app and the mobile version of our site, and we plan to bring this functionality to Android and desktop web users.
We are constantly talking with our users, advocacy groups, and government officials to see how we can improve Twitter, and will continue to do so. Such feedback has always played an important role in the development of our service. We hope the public understands the balances we’re trying to strike as we continue to work to make our systems and processes better.
‘I hadn’t anticipated the massive backlash from the boys’
… I started to notice how much the girls at my school suffer because of the pressures associated with our gender. Many of the girls have eating disorders, some have had peers heavily pressure them into sexual acts, others suffer in emotionally abusive relationships where they are constantly told they are worthless…
What I hadn’t anticipated on setting up the feminist society was a massive backlash from the boys in my wider peer circle. They took to Twitter and started a campaign of abuse against me. I was called a “feminist bitch”, accused of “feeding [girls] bullshit”, and in a particularly racist comment was told “all this feminism bull won’t stop uncle Sanjit from marrying you when you leave school”.
Our feminist society was derided with retorts such as, “FemSoc, is that for real? #DPMO” [don't piss me off] and every attempt we made to start a serious debate was met with responses such as “feminism and rape are both ridiculously tiring”.
The more girls started to voice their opinions about gender issues, the more vitriolic the boys’ abuse became. One boy declared that “bitches should keep their bitchiness to their bitch-selves #BITCH” and another smugly quipped, “feminism doesn’t mean they don’t like the D, they just haven’t found one to satisfy them yet.” Any attempt we made to stick up for each other was aggressively shot down with “get in your lane before I par [ridicule] you too”, or belittled with remarks like “cute, they got offended”.
I fear that many boys of my age fundamentally don’t respect women. They want us around for parties, banter and most of all sex. But they don’t think of us as intellectual equals, highlighted by accusations of being hysterical and over sensitive when we attempted to discuss serious issues facing women…
We were told that our “militant vaginas” were “as dry as the Sahara desert”, girls who complained of sexual objectification in their photos were given ratings out of 10, details of the sex lives of some of the girls were posted beside their photos, and others were sent threatening messages warning them that things would soon “get personal”. Read full article here
Whenever I pick up the latest issue of teen girl mags, I hope to find articles which might inspire a global vision in girls, expand their horizons and help them see they can make a contribution in the world. So I was very pleased to see the piece: ’Who runs the world? Girls!’ While the header is somewhat exaggerated, the article describes the different lives and rights of girls around the world and gives examples of young women working to change their cultures. The campaigning of Malala Yousafzai, 15, for the rights of girls to an education in Pakistan is included. You may recall she was shot by the Taliban in October last year and is now recovering in the UK. Readers can log on to educationenvoy.org to learn more. Arranged marriage and not allowing women to drive are examples of denial of rights of women in Saudi Arabia. Manal al-Sharif (who I had the pleasure of hearing speak via a Skype presentation at the Great Women Inspire event in Brisbane on International Women’s Day in March) was arrested for driving a car in 2011 and initiated the Women2Drive campaign which readers are encouraged to support on Facebook. Sexual violence in India is highlighted, with readers encouraged to join the OneBillionRising.org movement against it. In the US, Julia Bluhm, 15, collected 84,000 signatures for an online petition asking Seventeen magazine to stop retouching pics. Staff have now signed a Body Peace Treaty pledging never to alter a model’s face or body. My only quibble here is the treatment of North Korea. Amnesty International, writes GF, “alleges that North Korea imposes severe restrictions of association, expression and movement.” The horrendous human rights violations against North Koreans by its own rulers are not mere allegations! An estimated 200,000 are locked away in prison camps (gulags). First-hand accounts demonstrate the reality. “North Korea’s prison camps are a closed-off world of death, torture and forced labour where babies are born slaves, according to two survivors who liken the horrors of the camps to a Holocaust in progress.” GF mentions North Korea’s imposition of officially approved hairstyles which yes, indicates a certain lack of freedom. But perhaps forced labour, being tortured in a concentration camp or watching your family starve as a result of your Government misdirecting money to create the world’s biggest militarised state are also worthy to include. North Korea is also described by GF as ‘a self-reliant’ state. That’s one way of putting it. Totalitarian is another. And I’m not sure how self-reliant is a country where 16 million people require food aid according to the UN. (I would love GF readers to read The Orphan Master’s Son, the 2013 Pulitzer prize winning novel by Adam Johnson. While fictional, it draws from real suffering of the people of North Korea. It’s one of the most profound books I’ve ever read). Read more here
Feminist Conversations is a regular feature here at Feminists for Choice. Today we are talking to Melinda Tankard Reist, co-editor of Big Porn Inc: Exposing the harms of the global pornography industry. Melinda is also the co-founder of Collective Shout: for a world free of sexploitation.
How did you become interested in researching pornography?
There were a few things that came together around the same time. Women started telling me their stories of being hurt and harmed by a partner’s compulsive porn use. In my talks in schools, teen girls shared with me the pressure they felt to provide a porn-style performance, to act, essentially, as a sexual service station for men and boys. They were expected to provide naked images of themselves, to provide sexual services. As well, the sex industry was dominating and colonising every public space and was rarely brought to account. I began to talk to my publishers about what I was hearing. Spinifex had published an earlier book in 2004 titled Not for Sale: feminists resisting prostitution and pornography edited by Christine Stark and Rebecca Whisnant. It was a powerful book. But so much had happened since then, especially with the internet being used to globalise and spread pornography. We felt that a new book on pornography was needed. It also seemed to be a natural progression from my previous book Getting Real: challenging the sexualisation of girls, published by Spinifex in 2009.
There seems to be an overall consensus in the book that pornography is the same (or similar to) prostitution. Can you explain the similarities?
Yes, the writers in the book would mostly argue that pornography is filmed (or graphically depicted) prostitution. Melissa Farley uses the term ‘infinite prostitution’. The pornography industry has many of the features of the prostitution industry–it needs to procure women through trafficking, it relies on pimps to mediate transactions with the women who will be used, and the women it procures generally have histories of sexual abuse, poverty and homelessness. Pornography is advertising for prostitution and normalises the sexual exploitation of women. As well, men often want to act out what they see in porn on ‘live’ women. Pornography is often used as a form of initiation into prostitution. It’s also the case that women in pornography are concurrently being prostituted off-set, or go on to be used in systems of prostitution and stripping. The overlap between the prostitution and pornography businesses is so great that we might see them as operating in parallel, or perhaps as one larger sex industry. However, I think it’s also important to understand the differences between the pornography and prostitution sectors of the sex industry, and Big Porn Inc highlights these differences for pornography in particular. Firstly, the abuses that women undergo in pornography have a permanent or semi-permanent record made of them in the form of film, etc. This record causes many women great hardship and stress, because they feel they can never escape their past, and suffer anxiety at the prospect that anyone they meet throughout their lives has seen the pornography. They are also vulnerable to blackmail over it. The permanency of pornography causes particular suffering for women whose childhood sexual abuse was filmed as child pornography and shared by their abusers. Another aspect of the pornography industry that might distinguish it from the rest of the sex industry is the culture of ‘celebrity’ and ‘glamour’ that has developed around the industry in the last ten years. Jenna Jameson and Sascha Grey have been central to the promotion of the idea that pornography is a way for poor girls to escape their lives and become rich and famous, but of course the reality of the industry for the overwhelming majority of women/girls is that they are used up in around three months because of the extremity of the abuse and degradation of contemporary pornography. However, this culture of celebrity is very attractive to poor girls, and unfortunately draws them to the industry in a way that doesn’t necessarily happen for prostitution businesses. It means that the pornography industry is able to attract particularly young women, and in increasingly large numbers. The industry is normalised among younger generations to an extent that prostitution is not, because of widespread consumption of pornography among this generation, and the celebration of pornography by the popular media and culture. A third difference between the pornography and prostitution industries is the diversity of forms pornography takes–it is possible for women/girls to be sold as pornography through being used by their ‘boyfriends’ in front of home-based webcams, for example. While it is also common that ‘boyfriends’ pimp women through their homes, in the case of pornography this pimping is made difficult to recognise as illegal because of technology and the glamorising of pornography. There are businesses dedicated to the pimping of women through pay-per-view webcams, as well as pornography made of women being used through brothels. This diversity in the mode of business that pornography takes means that the industry is able to expand with very little scrutiny and opposition, let alone government oversight. The industry essentially operates in unchartered, frontier space in the absence of any controls whatsoever. Governments and societies worldwide are overwhelmed by the diversity of the sex industry, and so far haven’t managed to enact any governance frameworks at all that might curb its expansion and domination over culture and the economy.
What is your overall message about pornography that the book also highlights?
I think a major theme of the book is that the first and most egregious harm of pornography is to the women and girls who are used to make it. While the harm of pornography does extend to women much more widely, when we think about pornography we must think about the women who are harmed in its production first. This is because women/girls used in pornography are perhaps the most vulnerable and exploited population in our society. They are often racially marginalised, as well as victims of childhood sexual abuse, homelessness, and addiction. Their life chances are very poor, and even more so after they have been through the pornography industry. The writing in Big Porn Inc against the pornography industry mostly prioritises the interests of these women/girls in the way it does not make distinctions between ‘soft’ and ‘hard’ pornography, or ‘better’ and ‘worse’ forms of pornography. For the women and girls used in the industry, these distinctions are often meaningless, because the same women are used in both types of pornography production. Often they start out in ‘soft’ production, but then must be used in more violent and degrading productions to be able to make money and stay in the industry. For these women and girls, the chance to lead a life of quality and dignity depends on our efforts to dismantle the sex industry and create social services and facilities that will allow them to recover from childhood sexual abuse, to escape homelessness, and escape pimps or exploitative ‘boyfriends’. In addition to these women, of course, pornography harms many others, including the children who are sexually abused through perpetrators showing them pornography, as well as wives/girlfriends who are pressured to ‘act’ out scenes in pornography, and girls and boys who grow up seeing pornography as a ‘model’ for sexual relationships and never have a chance at understanding what true physical affection and tenderness looks like. Average age of first exposure to porn is 11. This is distorting and warping young people’s views of their bodies, relationships and sex. I believe it is an unprecedented assault on the healthy sexuality young people.
The trend in pornography seems for “sex” to be increasingly violent and aggressive. Can you explain why that is?
Yes, as Gail Dines and others show, the pornography industry over time has definitely escalated its violence against women and the level of degradation and humiliation it inflicts. Researchers have gathered empirical evidence that the more popular forms of pornography are the ones that are more violent and overtly degrading of women. Torture porn has become increasingly popular, rape sites, live S&M and bondage in which women are brutalised in whatever way the viewer requests. And it’s all becoming more and more mainstream. For example the documentary film Kink is about to screen at the Sundance Film Festival. The Kink website shows images of women in extreme positions of pain and torture. It seems it’s not even about ‘sex’ anymore – it’s about how much brutality and degradation a woman can cope with. And this is where many young men take their cues for relating sexually to women.
What is your response when people state that there are no victims in porn (just consenting adults)?
Linda Boreman’s (Lovelace) account of her time in the pornography industry where she was brutalised and forced into its production shows this claim to be untrue. Traci Lords’s use in pornography as a sixteen-year-old also shows that the industry does not always use adult women. Even women who glamorise their time in the pornography industry sometimes describe aspects of its brutality, such as Jenna Jameson’s How to Make Love Like a Porn Star: A Cautionary Tale in which she describes being incapacitated for six hours after a sex scene in which she was injured internally. The notion of ‘consent’ that proponents of the sex industry use to justify their moneymaking activities is an extremely impoverished one. The idea that young women surviving childhood sexual abuse who are homeless and being pimped by a ‘boyfriend’ are making a ‘choice’ to enter the pornography industry is laughable. The ‘consent’ invoked for women used in pornography is nothing more than a legal ploy to allow the filming of prostitution and sexual abuse (and sometimes overt physical torture) without the threat of arrest and prosecution. These activities are allowed to take place in society only because the cover of ‘sex’ makes them somehow different from what they really are, which is rape, sexual abuse, physical abuse, and exploitation.
When did you first consider yourself a feminist and what influenced that decision?
It is difficult to identify one key moment. There was a dawning recognition about the global maltreatment of women. It was, I suppose, recognising the second-class status of women pretty much everywhere. I have travelled a lot and witnessed the abuse of women in so many parts of the world. You just have to look at the raw statistic on violence, ‘honour’ killings, dowry deaths, female genital mutilation, child brides, forced abortion, forced sterilisation, female foeticide, female infanticide, the systematic elimination of women and girls in so many ways. I recall being in a shelter in Hyderabad, India. On the bottom level were the abandoned baby girls; many plucked from rubbish heaps, with bruises and broken bones. On the second level were the abandoned pregnant girls and women. On the top level were the abandoned widows. Three layers of discrimination against women, all in that one home.
What does feminism mean to you?
It means working to change the second-class status of women. To addressing the real, felt needs of women (I was privileged to help set up a supported accommodation and outreach service for women and girls pregnant and without support in Australia.) To advocating for women and girls everywhere and all the time. It means trying to make the world better for my three daughters and the daughters of other women as well. It means engaging in grass roots activism and empowering other women to speak out, through movements like Collective Shout: for a world free of sexploitation (www.collectiveshout.org) It also means working in solidarity with the best people I have ever met.
I’m delighted to announce that our very own ‘Naughty Nicole’ has taken out the prize for most popular entry. She wins a camera! Here’s a post from Collective Shout’s website about Nicole’s victory over sexist promotions.
Update: ASB says no to Mossimo peep show
Not only did Nicole turn Mossimo’s campaign upside down in a radical act of subversion, now the Advertising Standards Board has upheld complaints against Mossimo’s peepshow ad campaign. Open this link for extracts of complaints against Mossimo’s peep show promo, Mossimo’s response (Collective Shout gets a mention – thanks for that!) and the ASB’s decision.
Vote for ‘Naughty Nicole’ and ‘Classy Casey’ and against sexist crap
There are just so many things I love about our Collective Shout activists.
One of these is the creative way our supporters engage in culture jamming and messing with corporate brands.
Take Nicole from South Australia for example. She got fired up about Mossimo’s creepy and sex-industry inspired approach to flogging underwear, so decided to enter the company’s Peepshow competition.
Here’s her entry.
Mossimo made her change her entry because they didn’t like the word ‘crap’in her original message. So she changed it to ‘rubbish’. On ya Mossimo for upholding such high standards regarding the use of language.
Shortly after, Nicole – the clear winner so far – found some competition when ‘Classy Casey’ sent her message.
Vote for Nicole and Casey and help them win a camera. Nicole says if she wins, she’ll donate the camera to Collective Shout to document our nation-wide protests!
Antoinette Jones – Principal – Mitcham Girls High School
“Intelligent, passionate, brilliant, fearless… I could not recommend her more highly”
Dr Michael Carr-Gregg
“You continue to reset my shock meter…”
“As a teacher and parent I recommend all parents, in fact all people, to attend a talk by Melinda- it will open your eyes and awaken your subconscious.”
Heather Douglas – Parent – Pembroke School
“Melinda’s presentations to our parents, staff and full day workshops to students was inspirational, transforming the attitudes and thinking of all involved”
Paul Teys – Principal – Hunter Valley Grammar
“Melinda Tankard Reist’s presentation to Middle and Upper School students at Pymble Ladies’ College was absolutely brilliant!”
Justine Hodgson – English Faculty, Pymble Ladies’ College
“Melinda Tankard Reist has had a transformational affect on our school.”
Ms Stephanie McConnell, Principal – Turramurra High School
Purchase Big Porn Inc, Getting Real, Faking It, Ruby Who? book and DVD plus Too sexy too soon MTR DVD in one bundle for $120 saving 22% on the individual price.
In this DVD, Melinda takes us on a visual tour of popular culture. “Melinda’s presentation leaves audiences reeling. She delivers her message with a clarity and commonsense without peer.” – Steve Biddulph, author, Raising Boys, Raising Girls
Purchase Big Porn Inc, Getting Real, Faking It and the Ruby Who? book and DVD in one bundle for $100 and save 20% off the individual price.
Purchase Big Porn Inc, Getting Real and Faking It in one bundle for $70 and save 20% off the individual price.
Purchase the Ruby Who? DVD and book together for only $35 saving 10% off the individual price.
“This powerful and humane book is a breakthrough…Big Porn Inc shows us we are poisoning our own spirits.” – Steve Biddulph
“A landmark publication” – Clive Hamilton
“Getting Real contains a treasure trove of information and should be mandatory reading for all workers with young people in health, education and welfare” – Dr Michael Carr-Gregg, Adolescent Psychologist
Do you read women’s lifestyle magazines? Have you thought about how magazines might affect you when you read them? Faking It reflects the body of academic research on magazines, mass media, and the sexual objectification of women.
Ruby Who? is the sweet and innocent story of a little girl’s adventure in re-discovering her identity. Ruby wishes for so many things and dreams of being like others. Will she end up forgetting how to just be herself?
Ruby Who? is the sweet and innocent story of a little girl’s adventure in re-discovering her identity. Ruby wishes for so many things and dreams of being like others. Will she end up forgetting how to just be herself?
Defiant Birth challenges widespread medical, and often social aversion to less than perfect pregnancies or genetically different babies. It also features women with disabilities who were discouraged from becoming pregnant at all.