Last year Western Australian Tavern The Sixty30 made an application to vary existing trading conditions to allow topless waitresses. Along with other members of the community and the Commissioner of Police, we lodged an objection on the basis that:
The use of women’s bodies in sexual entertainment and services is a form of prostitution
Sexual trade in women’s bodies both causes and contributes to gender inequality by reducing women to mere objects for men’s use and enjoyment, with adverse impacts on women who are directly involved as well as women as a whole
A significant body of research links sexual objectification of women with violence against women
Sexploitation venues pose a threat to women, with women reporting increased incidents of sexual harassment, abuse and violence in areas in close proximity to strip clubs
After months of deliberating, we are pleased to report that the taverns’ application was denied, after Liquor Licensing found there was insufficient evidence it would be in the public interest. Read the report here.
It is also important to distinguish between the public interest and private interests… the application is primarily concerned with the private financial interests of the Applicant and the operators of Perths Best Girls. Accordingly, I reiterate that the onus remains on the Applicant to demonstrate that the grant of the application is in the public interest, and this onus cannot be discharged by simply pointing to a desire to provide additional services at the licensed premises.
The Applicant has failed to produce sufficient, probative evidence to satisfy me that the grant of the application is in the public interest.
The tavern had attempted to argue there was demand for topless waitresses (with statements of support, the Commissioner noted, predominantly from male respondents). The Commission responded:
The evidence fell well short of establishing that the variation of the licence was in the public interest. Whilst “Dan the Man”, “Show me pussy”, “Robbo”, “Marshy”, “Bob”, “Jacko”, “Swanny”, “Fido”, and others may want to see strippers at the hotel based on their signing of the questionnaire, there is nothing before the Commission that is capable of establishing that the variation of the licence is in the public interest.
As always, we are grateful for your support and participation throughout the course of this campaign. Without it, we would not have achieved this victory.
The objectification of women is so unremarkable in advertising and popular culture that it’s sometimes hard to envisage what an alternative might look like. Is it possible to advertise lingerie or swimwear without objectifying women, we are asked? Is objectification in the amount of flesh revealed, or is it more than that? Where is the line between women being merely attractive and objectified?
First, let’s define what objectification is. Dr Caroline Heldman has a great test to identify sexual objectification- what she calls the CHIPS test.
1) Commodity: Does the image show a sexualised person as a commodity, for example, as something that can be bought and sold?
2) Harmed: Does the image show a sexualised person being harmed, for example, being violated or unable to give consent?
3) Interchangeable: Does the image show a sexualised person as interchangeable, for example, a collection of similar bodies?
4) Parts: Does the image show a sexualised person as body parts, for example, a human reduced to breasts or buttocks?
5) Stand-In: Does the image present a sexualised person as a stand-in for an object, for example, a human body used as a chair or a table?
Jennifer Moss also wrote about the deliberate construction of women’s poses in advertising, assigning them into categories:
She’s looking over her shoulder or her facial expression is frightened. She has her hands up in protective or shielding position. She’s pulling away from a man. She’s dead. Any image depicting the woman as victim.
B.) POSITIONED FOR SEX/UNDRESSED
She is set up for sex: lying supine or close to it. Her legs are spread. She’s on a bed. She’s in a state of undress in which she wouldn’t (realistically) be allowed in public. Something is in her mouth.
Head angled. Eyes looking away, down. The classic “hunch” pose of the upper torso. Body is not square to the camera. Chin is down. Body language depicting submission, weakness.
D.) OBJECTIFIED/NON-HUMAN/ONE OF MANY
No face or her face is obscured. A group of women all dressed and made up the same. No individuality. A product.
It doesn’t have to be like this- there is another way.
In researching for this blog post, I spent a fair amount of time looking for advertising that did not sexualise or objectify women. Unfortunately, this was a rather fruitless endeavor! I found two examples. One was ad agency, Badger and Winters. (Scroll up to the very top to see their work for lingerie company Naja, and more examples here.)
Badger and Winters
After advertising executive Madonna Badger tragically lost her three daughters and her parents in a fire on Christmas Day in 2012, she made the decision to no longer objectify women in her advertising.
Badger uses the following four criteria to determine if an ad objectifies women:
Prop: Does the woman have a choice or voice in this situation?
Part: Is she reduced to just a sexually provocative body part?
Plastic: Is the image manipulated to the extent that the look is not humanly achievable?
What if: Would you be comfortable to see your sister, best friend or yourself in this image?
You can see Badger and Winters work for lingerie company Naja. This ad campaign shows how it is entirely possible to sell lingerie without objectifying women or replicating porn-inspired scenarios.
Well Made Clothes
The second example is Well Made Clothes- an online marketplace selling clothing from the ‘world’s best’ fashion labels. All stock featured on the website must meet the criteria for one of their values. Their advertising presents women as whole people rather than faceless, objectified and interchangeable.
Handy hints for advertisers
In many ads, women are not portrayed as whole people. They are reduced to a series of sexualized body parts (or even just one), or their identity is based on their sexuality or sexual availability. Objectification occurs when a person is reduced to object status, or becomes a thing, rather than fully human. While this can happen to women or men, this objectification is much more frequently done to women.
Women are often depicted as idle, merely posing to be looked at. There are various examples of advertising for women’s active wear that do just this. Advertisers could have a powerful impact by showing women running, lifting and actually engaging in activity, rather than merely posing- see an example from Cotton On Body:
Audiences are diverse, and as such advertising should not be limited to images of young, thin, white, able-bodied women. Diversity in race, age, body type can send a great positive message that all bodies, all people, are valued.
Context is also important in advertising. While it may be appropriate and relevant for a woman to be depicted in a bikini at the beach, or to sell swimwear, this is a very different context from a woman in a bikini to sell tools, or an unrelated product. In the latter scenario the woman becomes a prop, a merely decorative object.
We’re heartened to see agencies like Badger and Winters committing to a higher standard, and we hope other companies follow suit.
Do you know of any other companies doing the same? Let us know in the comments!
Our new ambassador in her first media interview in the role
The hypersexual world and its impact on young girls and boys
In the two weeks since you heard Donald Trump’s confessions – unintended – of groping women, the strongest response has come from US First Lady Michelle Obama. You may have heard her say that Trumps’ words shook her to the core.
Well, this culture has also shaken, and motivated, Kerryn Baird, who’s the wife of New South Wales premier Mike Baird. This week, Kerryn Baird became the new ambassador for Collective Shout, an advocacy group for women and girls.
Listen to the interview below:
By Lauren Gurrieri, Helen Cherrier, Jan Brace-Govan
Advertisers, challenged with cutting through a cluttered marketing environment, sometimes aim to shock. Unfortunately while their aim may be to get their client noticed, our research shows they continue to glorify the violent exploitation of women.
This is despite increasing community support, matched by public policy efforts to counter violence against women.
Flick through any glossy high fashion magazine today, and you will be confronted with images of women who have been assaulted, brutalised or murdered.
In our study, we examined how advertisements that depict violence against women shape women’s subjectivities. We found that women were positioned in three ways – as “teases” who despite the violent contexts suggestively offer a promise of sexual intimacy (e.g. this Dolce et Gabanna advertisement), as “pieces of meat” dehumanised in order to be controlled, dominated and consumed (e.g. this Beymen Blender advertisement) and as “conquered” subjects who are submissive, vulnerable and psychologically adrift (e.g. this advertisement by Fluid salon).
Representing women as sexualised, zoomorphic and subjugated beings fosters a rape culture in which treating women in degrading ways through the use of violence is considered acceptable. By communicating that it is ok to dominate, sexually touch and assault women, violent advertising representations undervalue the right of a woman to say no. In turn, the taboo of violence against women is not only weakened but questioned.
When the inevitable public backlash arises against such advertisements, how does business respond? More often than not, they dine out on the free publicity generated until the tide begins to turn against them.
In our study, we analysed the public statements offered by advertising agencies and their clients when they were asked to justify violent advertising representations.
Essentially, businesses either attempt to subvert interpretations of the representations by positioning the violence as “art,” make authority claims to discredit those who speak out against the advertisement, or deny responsibility for the “unintended consequences”. They use public relations spin, such as insincere apologies or donations to women’s charities. In some cases they choose to remain completely silent on the issue. In other words, business either diverts the focus to those offended by the advertisement or seeks to minimise its role in the outcry.
Since the advertising industry is self-regulated, action is either too little or too late. Compounding this is the industry’s long and chequered history in fostering a culture of sexual objectification of girls and women.
Advertisers need to catch up with contemporary attitudes that there is no place for misogyny, sexism and violence against women in advertising, as the recent case of Wicked Campers demonstrates.
The repeated and widespread use of violent representations of women in advertising can dangerously perturb how we understand women and their right to be portrayed in manner that respects their safety. It counters the broader efforts of legislation, the media and social marketing campaigns to combat violence against women.
If advertisers are to profit and benefit from their role as cultural intermediaries, they must shoulder their responsibilities as well.
One agency has taken a stand on the issue of objectifying women in advertising. However, with little other change on the horizon, public policy efforts and continued consumer activism are needed to bring greater accountability for ethical representations in advertising practice to the fore.
Support our campaign up update ad code of ethics to include objectification and sexualisation
A code of ethics that ignores sexism is a roadblock to equality
In Australia we have a self regulatory advertising system. This system is in place to (supposedly) ensure that “advertisements and other forms of marketing communications are legal, decent, honest and truthful and that they have been prepared with a sense of obligation to the consumer and society and a sense of fairness and responsibility to competitors.”
As part of this system a ‘code of ethics’ was drawn up. Each time a complaint is made the Advertising Standards Board goes back to this code to see if the ad is in breach of one or more of the codes. But how effective can the code of ethics be when it completely ignores sexism?
The research is quite clear that sexually objectifying portrayals of women are harmful.
The Advertising Standards Board are giving the green light to harmful advertising because the code of ethics that was originally put together is missing sexism and objectification.
Sign the petition today to call on the Advertising Standards Bureau and the Australian Association of National Advertisers to revise the code and stop allowing harmful content.
Last Friday night I headed to Chadstone Shopping Centre to catch up with some of my colleagues from Collective Shout. I was there a little early and decided to browse the stores while I waited for the others to arrive.
I expected to see the odd front window or billboard using the same old tired exploitation of women, but the proliferation of sexualised and objectifying images right throughout the centre was quite overwhelming.
It started with Bras’N’Things. Normalising the Playboy brand once again, we’ve written about this before. While many associate Playboy simply with its branded items or magazine, Playboy Enterprises own various adult TV channels and websites, broadcasting brutal, hardcore pornography. Retailers that stock Playboy branded products are helping Playboy to produce and distribute content that objectifies and degrades women.
In a 30 minute period I found close to 50 images that to varying degrees objectified and sexualised women. Some of the images were on massive billboards in major department stores including one by Tom Ford featuring a fully naked woman to sell perfume.
There were schoolgirls in their uniforms shopping with their mum’s, casually browsing the items nearby. As I took photos, no one noticed, staff stood around in clusters engrossed in their own conversations. These images have become the wallpaper of society.
Women and girls receive the toxic message that their main value and worth comes from their sex appeal. The global research tells us that the proliferation of these images is linked to common mental health problems such as low self esteem, poor body image, eating disorders, depression, self harm and even suicide. We are making our girls sick. And we need to do something about it.
Some may say “But the women chose to be in the ad, it makes them feel empowered”.
We don’t experience life in a vacuum. From the earliest of ages women have been socialised into believing that our value and worth come from our physical appearance, desirability, and ability to attract male attention.
We are growing up in a pornified culture that gives women two options; to be invisible or to be f*ckable (to quote Gail Dines). So it is no surprise that for some women they feel empowered when they express themselves in a sexualised way as a model, however we cannot ignore the broader damage that this type of advertising does to women globally.
Sexist jokes, objectifying women, gender inequality are the root cause of violence against women. In her award winning documentary “Killing her softly” Jean Kilbourne said “turning a human being into a thing is almost always the first step in justifying violence against that person.” If we truly want equality for women we need to think about how our individual choices affect women as a class.
Some may say “Well men are portrayed in sexualised ways too”. Most of the images I saw of men as I walked through the shopping centre showed them in business suits, in a position of power and control. Some even had their arm quite forcefully around a scantily clad women’s neck.
The overall message showed a clear power imbalance. What are we teaching our men and boys? And we wonder why young boys display a sense of entitlement in relationships.
So what can we do?
Speak out: Try and have a friendly conversation with the staff in the store when you see these types of images. Don’t ever think that the salesperson has no influence in the company. Shannen spoke out at Coles about having to handle Zoo and it was instrumental in helping them decide to cease stocking the magazine.
Write a letter to the manager or CEO. Let them know the harms of such advertising and that you will not be shopping with them until they change their ways. I wrote a letter to the local pub about their lingerie waitresses. It took 5 minutes to pull it together and they responded in less than 48 hrs saying the promotion was cancelled.
Lodge a complaint to the Advertising Standards Board. We have a handy ‘Lodge a complaint’ page here to guide you in the right direction for different types of billboard, radio and TV advertising.
Learn from it: Use these types of advertising as a teachable moment in the lives of young people that you influence. Ask the question “Why is that lady naked to sell a handbag?” Media literacy skills are crucial for young people to dissect the toxic messages that popular culture is teaching them.
Take a photo and send it in to us at Collective Shout. As a grassroots movement we rely on the collective action of our supporters to pressure these companies to change their ways.
Recruit pledge partners: Encourage business owners to sign our Corporate Social Responsibility Pledge. There are many clever ways to advertise a product without objectifying women or sexualising girls. If their product was any good they wouldn’t need sexism to sell it. Wouldn’t it be wonderful if we had a long list of businesses that signed our pledge that we could shop with with confidence?
We hope this inquiry won’t go the way of all the others before it – doing nothing to rein in the vested interests of marketers, advertisers and the media and allowing business as usual, despite the growing body of global evidence of the harms to young people due to the proliferation of hypersexual images and messages inundating them daily.
Children and young people are growing up in a high-tech culture steeped in relentlessly sexualised, sexualising and sexist messaging from media, advertising and popular culture which conditions them from a young age to view themselves and others in terms of their appearance and sexual currency. While women and girls are primarily the subjects of hyper-sexualised media representation, these messages also play a crucial part in socialising men and boys to see the sexual objectification of women and girls as normal.
Many adults are overwhelmed by the task of protecting and equipping children as they navigate the contemporary media and social landscape. The current legislative and regulatory environment is piecemeal, confusing for the community to navigate, and tends to serve the commercial advantage of corporate and marketing interests to the detriment of the community – children and young people in particular. Despite a number of state and federal inquiries demonstrating the need for systemic reform, media classification and self-regulatory schemes have failed to halt or even slow the proliferation of imagery and messaging through electronic, print and social media and marketing that demeans women, reduces them to sexual objects, fosters a culture which condones sexual violence, and pressures young girls to act in prematurely sexual ways.
Collective Shout is critical of the self-regulatory system currently favoured in media and advertising, which allows free rein to marketers while placing the burden of action on those most at risk of exploitation and harm. In particular, we are concerned about the lack of effective incentive or enforcement to deter those who are making a profit from the sexualisation of children and young people. Media and advertising interests have had ample opportunity to hear and act on community concerns but have instead have chosen to protect their vested interests. It is time for government to step in and act on behalf of children and young people
Recognition of the harms of sexualisation as a public health crisis requiring swift and decisive action on behalf of children and young people.
The restructuring of the current regulatory environment to bring the regulation of all media and marketing together under one encompassing independent federal regulator, including a division with the primary responsibility of protecting the interests of children and young people, addressing both the direct and indirect sexualisation of children in all media modes from a child-rights basis.
Equipping parents and carers with the appropriate media literacy tool and institutional supports, to raise children who have the ability to be critical consumers and creators of media.
The evaluation and implementation of appropriate school-based education programs to educate children and young people about the harms of sexualisation, and funding to help schools secure these resources.
For a child-rights based approach to addressing the harms of media hypersexualisation, including respect for the voices and points of view of children and young people.
That the prevalence of sexualised images of women in our society be recognised as a significant underlying contributor to violence against women and girls.
The commissioning of comprehensive research to establish the extent of the exposure of children and young people in NSW to sexualising media content. However, this research should not preclude swift government action on the basis of the evidence that already exists.
*Full submission will be made available when it appears in submission listings on the NSW Parliament website.
But the male CEO of the fashion label suggests the ads are sexist towards men – we’re #notbuyingit
Fashion label Suit Supply has a history of using sexist and objectifying images of women to promotes its menswear range. In an article published at the Huffington Post, CEO of Suit Supply, Fokke de Jong, denied that the ads are sexist towards women stating “if you want to read any form of sexism in here than it has to be towards men.”
Images for the ad campaign depict “doll sized” men wedged between breasts and lips, pulling down bikini bottoms, tugging at zips and directing a stream of water from a hose into a woman’s mouth. Scroll down to view campaign ad images.
Collective Shout’s Caitlin Roper disputed the idea that using larger than life images of women’s bodies as props to be manipulated or back drops for men’s recreation gives women “the upper hand.”
“The notion that this ad could be an example of ‘reverse sexism’ or sexism against men, as they’ve alleged, is naive at best,” she told HuffPost UK.
“Sexism – social, political and economic inequality on a structural level – isn’t something that can be counteracted by superimposing tiny men onto women’s semi-naked bodies to sell menswear.
“It’s no accident the women are hyper sexualised and posed in subordinate and ridiculous poses while the men are fully clothed, posed with dignity and strength.”
Roper added that she’s disappointed by the campaign, but not surprised by it, as Suit Supply has a “history of sexually exploitative advertising”.
“They think they are being edgy and subversive but they are merely upholding the (sexist) status quo depicting women as passive sexual objects to sell clothing for men,” she said.
“When companies feel the need to resort to such blatant sexism to flog their products you have to really question how little confidence they have in the quality of their products.”
Ja feel men’s fashion label: corporate sexual predator promoting non-consensual sex acts
Ja feel men’s fashion label: corporate sexual predator promoting non-consensual sex acts.
Australian company, Ja feel, promotes the sexual abuse and degradation of women and girls (as well as pornographic imagery and racist stereotypes) all in the name of marketing their “lifestyle brand.”
The Perth-based retail company, which promotes itself as a clubbing and music festival label and ships its misogyny worldwide, is, in reality, a corporate sexual predator.
You can see how committed they are to promoting rape culture based on images from their social media accounts. Read more
We feel you need to be shut down
Just when you think it can’t get worse…
How is this Australian company allowed to promote the sexual abuse and degradation of women and girls in this way? Perth-based Ja feel, which promotes itself as a clubbing and music festival label and ships its misogyny worldwide, is, in reality, a corporate sexual predator.
Here are some images from their social media accounts.
See how committed they are to promoting rape culture (if the meaning is unclear, the reference below is to a man shifting from vaginal to anal penetration without consent then pretending to be sorry about it).
See how they love giving women the pornified treatment and teaching boys they are entitled to women’s bodies. (#TittyTuesday and #ThongThursday are among their popular hashtags).
See how they feature even a young girl in a sexually suggestive way, with the elephant’s trunk as phallic symbol (there’s a popular porn- themed racist stereotype in this one too).
And, here are stickers, complete with instructions on sticking them on a woman’s breasts.
Echoing rape culture slogans, migrating porn images into every day advertising, grooming a whole generation of boys to prey upon women because that’s what ‘men’s lifestyle’ means now, Ja feel is building the scaffolding which reinforces sexist attitudes creating an environment where violence against women is flourishing. We feel your hate.
More comedy gold from the ASB: except we’re not laughing
It’s no secret that the advertising industry’s preferred model of regulation, self-regulation, has failed. Despite various government inquiries exploring the many flaws in the current system, as well as condemnation from child health professionals and the Australian Medical Association (AMA) the advertising industry has been given free reign to regulate themselves to the detriment of the community, in particular, children.
In 2012, AMA President Dr Steve Hambleton called for a new government inquiry into the sexualisation of children in advertising to protect the health and development of children. He said,
“These are highly sexualised ads that target children, and the advertising industry is getting away with it.
“There is strong evidence that premature sexualisation is likely to be detrimental to child health and development, particularly in the areas of body image and sexual health.
“The current self regulatory approach through the Advertising Standards Bureau is failing to protect children from sexualised advertising.”
We encourage supporters to utilise the complaints process when they come across hyper-sexualised advertising they suspect could be in breach of advertising codes. Many feel understandably frustrated as the ASB continues to dismiss valid complaints while simultaneously claiming that self-regulation is working well and this is evidenced by the fact they rarely uphold complaints! We’ve highlighted some of our previous complaints below to illustrate the great lengths the ASB goes to in order to excuse sexualising and adult sexual content in advertising.
Love and Rockets, Billboard
The photo of this billboard was taken from a Brisbane boy’s school. The ASB noted that it is not illegal for the sex industry to advertise outside schools and ruled that this billboard advertising a strip club to children treated sex, sexuality and nudity with sensitivity to the relevant audience (school children) as it did “not show include explicit nudity”.
Schick for Men, Social Media video
In response to Schick’s commercial featuring a woman stripping off her clothes to sell men’s razors, the ASB said,”The Board noted that although the woman does remove her clothing…her breasts are covered by text on the screen. It was not sexualised.”
Supre Jeggings, TV commercial
The clothing store popular with teens and pre-teens released this ad to promote their new range of Jeggings. The ASB responded, “The woman was not posed in a sexualised manner.”
Lee Jeans, Billboard
It may come as no surprise that this image is part of a larger collection of photos by photographer and accused rapist Terry Richardson, with a reputation for porn-themed photo shoots and for sexually exploiting young models. The ASB said,
“There is no nudity [and] the woman’s pose was not inappropriately sexual.”
“Consumption of this style of lollipop is now common amongst people over 18.”
River ‘Get Excited’, Catalogue
An image of a woman who appeared to be nude aside from thigh high stockings, with her legs apart and her arms covering her private parts was “not overtly sexualised”, said the ASB.
The Firm Gentleman’s Club, Poster
We couldn’t locate a photo of the original poster, however it is the same (life-size) image as shown here on their website.
This life size poster was located on a busy Adelaide street. The ASB ruled this outdoor advertising was not in breach of industry codes and standards because “the image is relevant to the advertised product”. The product was women, for men’s sexual use.
Target Fifty Shades Lingerie, Billboard
The ASB said the billboard of a faceless woman reclining in lingerie complete with suspenders “[did] not present strongly sexualised imagery and is not inappropriate for viewing by a broad audience including children.”
Xotica Strip Club, Billboard
A supporter shared her frustration on encountering this large billboard while taking her children aged four through seven out for lunch. The ASB dismissed complaints about the billboard because the ad “[did] not show any private parts of the woman.” They went on to say:
“In the context of an advertisement for an adult venue the images of the women are not exploitative and degrading.”
“The building which is located in an area which contains a high proportion of adult venues…based on the location of the building, the audience likely to be frequenting the area are generally customers of the venues.”
UltraTune, TV Commercial
UltraTune used two dominatrix women brandishing whips and feigning arousal at the sight of tyres and car accessories for the enjoyment of a male staff member to promote their car service centres and accessories. The ASB dismissed complaints, ruling the dominatrix women were “relevant to the product” being advertised.
“Fresh One” coffee
Perth coffee brand “Fresh One” unleashed a series of porn inspired advertisements on its Facebook page earlier this year. The board upheld complaints against some of the ads, but dismissed complaints against others.
The Ad Standards Board dismissed complaints against this ad featuring a woman pouring milk over her chest.
“The Board noted that the woman is voluntarily pouring the milk over herself.”
“…the image is not exploitative or degrading, with references to ‘bathing in milk’ often associated with luxury (Cleopatra for example) rather than any demeaning activity.”
And this just in!
ASB dismisses complaints against General Pants Pornified “Wet Dreams” ad campaign. Read more here.
This is what industry self-regulation looks like.
The argument that adult, sex industry advertising can be justified in public spaces raises several questions. Do children and young people no longer have a right to be in a public space? Is it permissible for billboards to include sexually explicit content if they are promoting the purchase of women for sex? Do the rights of the sex industry to market itself to the masses take precedence over children’s rights to healthy development?
The Advertising Standards Bureau is a joke. As best-selling author and psychologist Steve Biddulph said, “The UK has an advertising watchdog that actually takes action. Australia has a watch tortoise that might have died.”
It takes a village to raise a child. We often hear from parents who feel overwhelmed and powerless to raise healthy children when the wider culture is undermining their attempts at every turn. Parents need the government and regulatory bodies to do their part in providing a safe environment for children.
Objectification of women should be recognised as discriminatory practice
The Senate Legal and Constitutional Affairs References Committee, Review of the National Classification Scheme: achieving the right balance (June 2011) recommended that “community concerns about the sexualisation of society, and the objectification of women” be taken into account as a key principle in every classification decision (Recommendation 2). This reflects the core message of Collective Shout that women must never be depicted as mere objects for the sexual satisfaction of men.
We were particularly supportive of recommendations 4 and 8, which related to issues of objectification of women as forms of discriminatory practice. It is remarkable that in the ASB’s view, as cited in the report, objectification of women was not seen as contrary to the prohibitions on discrimination and vilification.
Clearly the self-regulatory system has been found lacking!
Industry has been warned, has had its chance to voluntarily self-regulate, and has conspicuously failed to act at the level required. The evidence of the past years of minimal response by industry shows that the market culture around this issue will not shift without stronger government initiative.
Have you seen the recent bus “gang rape-inspired” photo shoot in India? Or Vogue Italia’s video showing a woman killed by an intruder in her house? Or the Bulgarian makeup ad showing bruised women with the tagline “Victim of Beauty”?
There appears to be a theme of fashion advertising increasingly using images of women being killed or tortured or violated in some way, usually by men.
What’s this all about?
Antoinette Jones – Principal – Mitcham Girls High School
“Intelligent, passionate, brilliant, fearless… I could not recommend her more highly”
Dr Michael Carr-Gregg
“You continue to reset my shock meter…”
“As a teacher and parent I recommend all parents, in fact all people, to attend a talk by Melinda- it will open your eyes and awaken your subconscious.”
Heather Douglas – Parent – Pembroke School
“Melinda’s presentations to our parents, staff and full day workshops to students was inspirational, transforming the attitudes and thinking of all involved”
Paul Teys – Principal – Hunter Valley Grammar
“Melinda Tankard Reist’s presentation to Middle and Upper School students at Pymble Ladies’ College was absolutely brilliant!”
Justine Hodgson – English Faculty, Pymble Ladies’ College
“Melinda Tankard Reist has had a transformational affect on our school.”
Ms Stephanie McConnell, Principal – Turramurra High School
“Melinda Tankard Reist is at the forefront of helping…educate the public on the link between pornography and violence…” – Di Macleod, Director, Gold Coast Centre Against Sexual Violence
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Ruby Who? is the sweet and innocent story of a little girl’s adventure in re-discovering her identity. Ruby wishes for so many things and dreams of being like others. Will she end up forgetting how to just be herself?
Ruby Who? is the sweet and innocent story of a little girl’s adventure in re-discovering her identity. Ruby wishes for so many things and dreams of being like others. Will she end up forgetting how to just be herself?
Defiant Birth challenges widespread medical, and often social aversion to less than perfect pregnancies or genetically different babies. It also features women with disabilities who were discouraged from becoming pregnant at all.