You may have heard about the misogynist antics of self-proclaimed “pick-up artist” and Real Social Dynamics (RSD) coach, Julien Blanc, whose recommendations for picking up women include grabbing women’s throats and pushing their faces into your crotch. Or you may have heard the sexist lyrics promoted by American entertainer, Redfoo, in his new single “Literally, I Can’t,” wherein women are encouraged to perform “girl on girl” for men at parties and, when they refuse, are instructed to “shut the fuck up.” If, like me, you walked away feeling offended by the actions of these men — I’m pleased to report that you were not alone.
Over the last month, both Blanc and Redfoo have been widely criticized by feminist activists and bloggers throughout Australia and North America. Recently, Blanc’s Visa was cancelled in Australia when a group of protesters picketed outside the venue where he was set to give one of his controversial RSD seminars — a protest that was spurred on by the hashtag, #takedownjulienblanc. Redfoo’s latest video sparked the hashtag #shutthefooup and prompted a Change.org petition demanding his dismissal as a judge from X Factor Australia.
I get excited to create things that will unite all of us through laughter, dance & celebration. If during the process I offend anyone, I apologize from the bottom of my heart. In the future I will be more mindful of the way I present my art.
Following Redfoo’s vague apology for his “excited” behaviour and contentious “art,” Blanc also issued an apology during an interview on CNN. In one excerpt of the five minute conversation, Blanc nervously says:
Like, I feel horrible. I’m not going to be happy to be the most hated man in the world. I’m overwhelmed by the way people are responding. With those pictures there that you’re referring to, of again, like, choking women, um, I just want to make that clear, that is not what I teach. Like, … those pictures right there, those were a horrible, horrible attempt at humour. Um, you know, it’s… you know, they were also, like, taken out of context…
On the surface, both Blanc and Redfoo appear to address the public’s concerns, but a closer inspection of their “apologies” reveals that the main reason they are sorry is because they feel they are either being misinterpreted or condemned. Indeed, while both Blanc and Redfoo use the words “sorry” and “apology” in their statements, what’s actually missing from their apologies is the apology itself.
In his memoir, The Last Lecture, Randy Pausch explains that there are three parts to giving a sincere apology: Identifying what you did wrong, assuring the offended party that you will not repeat your misbehaviour, and finally (and perhaps most importantly), asking what you can do to make it better. Both Blanc and Redfoo’s apologies fall short of providing what I consider to be a sincere apology, as they fail to critique (or understand the critique of) their misogynist behaviour and, as a consequence, cannot actually commit to changing their actions and making amends.
The lack of critical reflection in both Blanc and Redfoo’s ttempts to clarify their position shows how little they understand or care about the response to (or the impact of) their behaviour. Rather than discussing the systemic problem of men’s violence against women, which is where the vast majority of feminist activists are citing concern, both men hide behind the argument that their messages were taken “out of context” and claim they have been “misrepresented” — taken seriously when really it was all in good fun.
On Twitter, Redfoo accuses his critics of having an “agenda” and of failing to understand the supposedly “satirical” nature of his music, gaining the support of one Australian shock-jock who, during an interview with Redfoo, calls critics of his new song, “dickheads,” “do-gooder idiots,” and “Tupperware-collecting party-poopers.”*
Blanc also issues an apology that references “humour” as a way of, at least partially, justifying his actions, explaining that the offensive pictures of him on social media, some of which allude to sexually violent acts, were simply “taken out of context” and were intended to be funny.
Hiding behind a thin veil of humour to justify one’s misogyny is not new. Indeed, this notion has and been discussed at length by feminist writers such as Abigail Bray. In Misogyny Re-Loaded, Bray argues that, “if misogyny has a soundtrack it is canned laughter… Laughter instructs the audience that it is not only permissible to laugh at the oppression of women but that it is expected.”
Rather than apologizing and reflecting on the criticisms defining their actions as sexist and deplorable, Blanc and Redfoo minimize concern. Indeed, both men react with a sense of shock that their messages have caused outrage to begin with, with Blanc claiming he was “overwhelmed” by the attention his antics were receiving and Redfoo saying, “I don’t know how rape culture and Redfoo got into the same headline.” In an age where rape culture has become a topic for the lulz, perhaps we shouldn’t be too surprised.
Because Blanc and Redfoo fail to identify, acknowledge, and discuss the factors that sparked outrage to begin with, they are incapable of sincerely promising to change. While both men do make references to modifying their future actions, they do so in a vague and superficial way. Redfoo ensures his fans that, he will be “more mindful” when presenting his “art” in future, while Blanc explains that he is walking away from this experience hoping to “re-evaluat[e] everything” he posts online.
But what exactly do their “mindful re-evaluations” entail? How can someone truly make amends when they have not even identified why their actions sparked outrage to begin with? As readers, feminists, bloggers, and survivors of men’s violence, we are left with a series of apologies that fail to address our concerns at all — and we deserve better. An insincere apology is worse than receiving no apology at all.
*Note: I have only ever attended one Tupperware party when I was seven. I was offered a zucchini quiche and at no point was I told to “shut the fuck up.” TUPPERWARE PARTIES ROCK.
(reprinted with permission of author) Natalie Jovanovski is a PhD Candidate and Feminist Researcher from Melbourne, Australia. Her research interests include the harms of sexual objectification, the cultural reinforcement of eating disorders, and the discursive portrayal of food in contemporary Western media.
‘I have lost count of how many women have told me they have been raped. All of the rapists have gotten away with it while the women are burdened with years of unspeakable shame and self-hatred – an explosive new manifesto against rape culture’ (extract from Misogyny Re-loaded)
Julien Blanc may be gone but looks who’s here. Matthew Berryman on the rise and influence of pick-up culture in Australia
By Dr Matthew Berryman
Following the online campaign started by Jennifer Li to #takedownjulienblanc, I’ve started looking into the world of “Real Social Dynamics” (RSD), the company Blanc is a part of, and I’m highly disturbed by what I have found. I’m sympathetic to young men who need confidence building and dating tips. I was a shy nerdy young man too. But there’s a massive world of difference between genuine advice and what RSD has to offer. It goes well beyond one video of Blanc doing his infamous “head on dick” sexual assault of Japanese women.
It includes everything from a culture of objectification of women through to making fun of people with disabilities (‘retarded’ in RSD language) to pick up.
The co-founder of RSD is Owen Cook, known as RSD Tyler. Here he appears to admit to raping a woman.
Here he is making a racist slur in a nightclub.
Here he is joking about killing a cat and then sexually assaulting its corpse.
Rape culture is part of the forum, from discussion of rape vans through to this comment on their forum – a sick attempt to justify rape.
“They dream about this. They wanna be tied up and fully succumb to your aggressive masculinity. They want you to push them against the wall, rip their clothes off, put her in a submissive position and call her bitch, slut, whore until their skull can’t take it anymore…”
“See as much as women wanna be raped, they also want to be made feel beautiful.”
It’s deeply disturbing how many members that RSD have, and their influence. Last I checked, their insider Facebook groups (now made private) had over 300 members for Brisbane and over 1000 for Sydney. RSD Tyler’s YouTube channel has over 95,000 subscribers, and RSD Julien’s over 43,000.
RSD Alex is an RSD trainer on the Gold Coast. One of his associates is Adrian James Holt, aka Adrian Van Oyen, a candid camera/prank ‘comedian’ with a history of harassing people on trains. Julien Blanc may have been deported but Holt and other Australian men continue to foment and spread pick-up culture activities here.
Some people must find this amusing as he has over a million subscribers. His method has since been adopted as a pick-up tactic by RSD members. Following his train videos video, Lipton decided for a reason I cannot fathom, to pay Holt, who they describe as a “hilarious YouTube sensation” for an advertisement for iced tea.
Shortly after that, in November 2013, Holt released this video where he tries to use sexual assault as a ‘pick-up’ strategy.
Not only is this totally unacceptable and unempathetic, it’s also a crime. I have alerted Queensland Crimestoppers to this with a report made yesterday. Astoundingly, the original copy of this video has had over 2.8 million views.
This whole misogynist “pick-up” agency material doesn’t just lessen women, but it lessens men, and it has to stop. I’m not saying this because I am of the “extreme left” (as one RSD troll said)—I’m just slightly left of centre, and this transcends politics, anyway. Nor is it because I’m pretending to be a nice guy in order to get laid—I’m happily married—it is important to respect others anyway, which may indeed get you noticed by women, but that’s besides the point. Nor is this about’ group think’, I’ve obviously thought about these issues on my own and then decided to campaign. This is all about respect and consent. It’s not hard to understand.
If you are a young man seeking advice, then don’t get it from Real Social Dynamics. There are proper counselling services out there, if you can’t get good advice from mates, or asking your mum (yes, put embarrassment aside for a few minutes, she has advice for you), or even a girl who you are just friends with. Yes guys can be just friends with a girl, and it’s how I got some of my best dating tips.
Dr Matthew Berryman is a loving husband and a dad to two daughters who he adores. By day he works in IT, at night he campaigns to make the world a better place.
My piece on Herald Sun website here: http://www.heraldsun.com.au/news/opinion/julien-blancs-sexist-abusive-pickup-methods-should-be-rejected-by-aussie-venues-says-melinda-tankard-reist/story-fni0ffsx-1227112652542
Blanc’s training seminar: how to grab women’s heads and shove them into your groin
Paid For: My Journey Through Prostitution: a compelling take down of pro-prostitution myths
I recently read Rachel Moran’s autobiography Paid For: My Journey Through Prostitution (Spinifex Press, 2013). It is the most compelling take down of pro- prostitution myths I have ever read.
As Amnesty International goes against all it supposedly stands for in backing legalisation of the sex industry worldwide (so valiantly resisted by a number of Australian feminists at Amnesty branch meetings over the weekend – more to come on that), Rachel’s book stands as a powerful ‘No!’ to the global trade in the bodies of women and girls.
Rachel worked as a prostitute for 7 years in Ireland, finally managing to get out of the industry at 22. The book describes her experiences as well as breaks down myths and lies perpetuated by pop culture, the media, the sex industry, and even other feminists, about prostitution and is an incredibly powerful and brutally honest read.
When you are fifteen years old and destitute, too unskilled to work and too young to claim unemployment benefit, your body is all you have left to sell.
Rachel Moran grew up in severe poverty and a painfully troubled family. Taken into state care at fourteen, she became homeless and was in prostitution by the age of fifteen. For the next seven years Rachel lived life as a prostituted woman, isolated, drug-addicted, alienated.Rachel Moran’s experience was one of violence, loneliness, and relentless exploitation and abuse. Her story reveals the emotional cost of selling your body night after night in order to survive – loss of innocence, loss of self-worth and a loss of connection from mainstream society that makes it all the more difficult to escape the prostitution world.
At the age of 22 she managed, with remarkable strength, to liberate herself from that life. She went to university, gained a degree and forged a new life, but she always promised that one day she would complete this book. This is Rachel Moran’s story, written in her own words and in her own name.
A brave woman steps out from Ireland’s dark side and gives a clear-eyed account of the violence that is prostitution.
Susan McKay, former Chief Executive of the National Women’s Council of Ireland
Rachel Moran has wrought out of the depravity of the ‘prostitution experience’ an inspirational and brilliant memoir. Courageous and tender; ultimately her story is a searing indictment of men who buy sex.
Kathleen Barry, author of ‘Female Sexual Slavery’, ‘The Prostitution of Sexuality’ and ‘Unmaking War, Remaking Men’
An unprecedented testimony – brave, powerful and convincing.
Theo Dorgan, Irish broadcaster and poet
Prostitution survivor Rebecca Mott calls for total abolition
Prostitution survivor Rebecca Mott, who endured frequent rape, violence and torture while in the industry, has given an incredibly powerful speech on BBC radio on the truth about the sex industry.
Has the Courier Mail become a pimp?
In this May 4 article, Kathleen Donaghey gives the Sunshine Coast sex industry a nice free plug, promoting a special ‘Pie, coke and a poke’ deal. It’s so discreet, Donaghey writes, that a punter can duck out at lunchtime and still be home for the ‘wife and kids’ in the evening. A QUT researcher says it’s just a “fun, recreational pursuit.” There’s not a critic in sight. As my colleague Caitlin Roper tweeted: “Average age of entry into sex trade is 13. Prostituted women have PTSD levels equivalent to war veterans. Write about THAT @couriermail.” I wonder if the Courier Mail got any kickbacks from this piece given it has provided the brothel with thousands of dollars in free advertising?
A world without rapists would be a world in which women moved freely without fear of men. That some men rape provides a sufficient threat to keep all women in a constant state of intimidation, forever conscious of the knowledge that the biological tool must be held in awe, for it may turn to weapon with sudden swiftness born of harmful intent … Rather than society’s aberrants or ‘spoilers of purity’, men who commit rape have served in effect as front-line masculine shock troops, terrorist guerrillas in the longest battle the world has ever known.
—Susan Brownmiller, Against Our Will: Men, Women and Rape (1975, p. 15)
Living in a rape culture means adjusting to being hyper-vigilant about male violence to the point where risk management becomes second nature. It means living with the continuum of male sexual violence on a daily basis, from creepy and threatening looks and comments in the street, home and workplace, to online rape threats, attempted assault and actual assault. It means inhabiting a paradoxical space where the rape and murder of women is prohibited but everywhere eroticised and the object of laughter.
To take just one example of rape culture, the globally popular American fantasy series Game of Thronesfeatures a blond child bride being continually raped by her warlord husband. “But it’s all ok because a prostitute slave teaches the thirteen-year-old princess super sexy sex skills, and she proceeds to blow the warlord’s mind so throughly [sic] that they fall in love,” notes feminist Laurie Penny (2012)
Many men, when asked a simple question about why male domination exists, reply that it is because men are stronger than women. This answer seems innocuously simple-minded, but the explanatory statement that ‘men have power over women because they are physically stronger than women’ also means ‘men can rape and kill women if they want to’. There is no point replying that it is illegal to rape and kill women. The law does not come into it at all. It is as though the legal prohibitions against male sexual violence are little more than the sales pitch of a corporation eager to hide its criminal intent behind images of satisfied customers.
The majority of victims do not report, and the majority of rapists walk free (Miller et al., 2011; Fayard and Rocheron, 2011; Belknap, 2010). As the title of a 2013 articleby Nigel Morris in The Independent puts it: ‘100,000 assaults. 1,000 rapists sentenced. Shockingly low conviction rates revealed. Latest statistics also show difficulties in persuading victims to report attacks’. Although media attention on particular rapes occasionally stirs up public debate, these rapes are the exception to the norm simply because victims have broken their silence and the criminal justice system has been involved. One cannot but wonder how many people know of, or are friends with, men who have sexually assaulted women and children, and yet do nothing about it.
It has only been since the 1960s and 1970s that most western women have been able to work outside the home without needing permission from their husbands/owners. It is only in the last few decades that marital rape has been recognised in some nations as a human rights violation. In Australiamarital rape was outlawed as late as 1991 (Temkin, 2002). As late as 1993 the United Nations published the Declaration on the Elimination of Violence Against Women. In many countries young girls are still forced to marry their rapists.
Raping women and children continues to be a lethal form of oppression in advanced neo-liberal democracies. Victims of male sexual violence continue to be branded as ‘damaged goods’ and re-abused in the criminal justice system to such an extent that the majority of victims simply give up and opt out of the legal process (Fisher et al., 2000; Fisher et al., 2003). Lawyers are often reluctant to take on rape cases because they know they are difficult to win. Child victims of male sexual violence are subjected to ritualistic humiliation in courts (Taylor, 2004). Child pornography victims are subjected to malicious attacks by bourgeois academics in high-ranking American legal journals (Lollar, 2012).
Young women, who sustain the majority of sexual assaults, not only endure court-licensed abuse, but they are now also bullied online for daring to speak out. Raped girls are urged to kill themselves by pack verbal abuse that is all too often uttered as mocking jokes (Salek, 2013). Victim-blaming has become lethal.
In a novel by feminist academic Yvette Rocheron, Double Crossings (2009), a mother decides to commit suicide after she is brutally raped by a cousin, knowing that, if she lives, the crime will destroy her family and her life. “For her loved ones, a sublime act of love … She would go down knowingly … [T]he vitriolic defacement of women, the misguided abortions, the rapes. She was a thousand years old” (p. 271). There is no humour in this novel as the mother leaps to her death, merely a solemn awareness of the barbarism of a crime against women that leaves the murderous poison of social death in her body.
I have lost count of how many women—friends, students, colleagues, relatives, and acquaintances—have told me they have been raped. All of the rapists have gotten away with it while the women are burdened with years of unspeakable shame and self-hatred, or shunned by their families for daring to speak out about male relatives who raped them. The stories involve horrendous child sexual abuse, rape at knifepoint, abductions in vans, group rapes, women being drugged and raped, rapes by colleagues, partners and ex-partners. A woman who was raped by her grandfather told me recently that it took her 30 years to understand that her body belonged to her. Another woman, a feminist activist and journalist, after going public about being raped at knifepoint, was subjected to online abuse along the lines that she should be ‘raped with a box cutter’. When I read the comment about the box cutter it took a few moments to sink in that the man who had posted the comment was saying that he wanted to butcher her vagina with a knife. Not surprisingly, many women keep quiet about being sexually assaulted. And all of this occurs in a world in which women who speak out about male sexual violence, or any form of male domination, are routinely subjected to online rape threats (Lewis, 2011). Again, the majority of threats never result in prosecution and women are often told to ‘get over it’, ‘toughen up’ or ‘lighten up’ or have sex with a man. ‘She just needs a good fuck’, is how the all too familiar saying goes … Oddly, having sex with men is meant to dispel fear of being raped, as though women who have an accurate assessment of the dangers of rape culture are hysterics who just need sex. The idea that women enjoy being raped still persists (Suarez and Gadalla, 2010); and if women are assumed to enjoy being raped then their protests about being harmed by rape can easily be reduced to a farce.
More about Abigail’s book and how to order can be found here.
US Rapper Tyler The Creator unleashes a torrent of hate on Sydney activist
By Talitha Stone
I’m a 23-year-old psychology student from Sydney and in June this year, I was subjected to a horrific torrent of abusive tweets from fans of touring American rapper Tyler Okonma. I challenged Okonma’s lyrics which encourage rape and violence against women by vocally supporting a petition on change.org that suggested he shouldn’t be playing all-age shows.
At Tyler’s concert in Sydney the next day, he told his fans he hoped my children got STDs, and “dedicated” songs to me that included lyrics like “punch a bitch in her mouth just for talkin’ shit”.
The abuse started almost instantly. First a drip, then a rush, then a flood. I felt physically sick. He had 1.7 million fans, and it felt like every single one of them had some violence stored up for me – a promise to assault me, the threat that they would rape me, an expression of hatred for my life and my freedom.
It was terrifying at first, and then I started to feel totally disconnected from myself. When one of them said he was going to mutilate my body, I couldn’t comprehend that he could be talking about me. The messages were coming at such a rate I couldn’t keep up.
Tyler Okonma, aka Tyler The Creator, is a member of powerful hip-hop collective Odd Future Wolf Gang Kill Them All (usually abbreviated to OFWGKTA or Odd Future). It’s unclear how many members are part of the collective (somewhere between 25 and 60), but its best-known members are Okonma, Earl Sweatshirt, Syd tha Kyd, Hodgy Beats and last year’s Grammy-winning breakout artist, R&B singer Frank Ocean.
As a solo artist, Okonma has released three albums, his horrorcore-style lyrics taking in subjects such as violence, rape fantasies, murder and even necrophilia.
His lyrics include:
“F— Mary in her ass.. ha-ha.. yo, I tell her it’s my house, give her a tour, In my basement, and keep that bitch locked up in my storage, Rape her and record it, then edit it with more shit”
“You call this shit rape but I think that rape’s fun, I just got one request, stop breathin”
“I wanna tie her body up and throw her in my basement, Keep her there, so nobody can wonder where her face went, (Tyler, what you doin’?) Shut the f— up, You gon’ f—in’ love me bitch, Shit, I don’t give a f—, your family lookin’ for you, wish ‘em good luck, Bitch, you tried to play me like a dummy, Now you stuck up in my motherf—in’ basement all bloody, And I’m f—in’ your dead body, your coochie all cummy, Lookin’ in your dead eyes, what the f— you want from me?”
I received threats from Okonma’s fans constantly for two weeks and I still get the odd tweet of abuse today. In a tone eerily similar to Okonma’s lyrics they sent messages like: “shut the f— up cuz if I see you on the streets I’m gonna snatch u in a alley and force this d— in you,” “how’s that for promoting rape? I’m f—ing DOING it! So watch ur back, but ur families will be first” and “you know you secretly want @f—tyler to forcibly penetrate your anal cavity”.
On the flipside I received an abundance of support from friends and family. People who read about my experience in The Sydney Morning Herald and other media outlets couldn’t believe that this kind of behaviour was being tolerated in Australia.
When I was attacked I did all the things you’re meant to do: I reported individual tweets to Twitter (after diligently filling out their long-winded forms) and was staggered to be told that tweets like this did not breach their guidelines: “f—ing waste of flesh worthless female. its girls like u who make guys want to #rape a helpless pussy like u”.
I blocked the people abusing me and then I reported it to the police, who said there was nothing they could do, other than work with Twitter. Their advice was to delete my account, and not provoke people – letting the abusers win.
After thousands of threats of rape, murder and experiences like mine, Twitter has recently announced that they’ll be rolling out a report abuse button on all platforms. That’s a great first step, but it’s kidding itself if it thinks this will solve the problems faced by myself and millions of other women right around the world. It’s also underestimating the consequences of creating a powerful global platform that is unsafe for women to share their opinions on.
Twitter’s rules and processes are badly broken. Other tweets, to other users, that Twitter has said are within their guidelines include: “I will rape you when I get the chance” and “Ur a f—ing faggot, go kill urself.” If you’re a woman who has used Twitter to talk about things that matter to you, chances are you’ve had a similar experience. Chances are, even if you report each and every abusive, threatening tweet, many of them will be OK’d by Twitter and the abuse will continue.
Twitter has significant power, and is playing an important role in world affairs – but it’s facing a critical moment. The people who run Twitter, like Del Harvey, Twitter’s head of trust and safety, need to realise that the platform must enable people to talk about the things that matter to them without facing a torrent of threats and abuse.
I’ve joined a global petition to get Twitter to stop rape abuse on its platform. The campaign was inspired by Caroline Criado-Perez, a British feminist who used a petition on change.org to fight to keep a woman on banknotes in Britain. Immediately after she won that campaign, she faced the horrendous backlash of violence and threats that come to so many women who raise their heads online. The momentum from her campaign for reform is now beginning to put pressure on Twitter, and I hope an international outcry will get them to act with a comprehensive zero-tolerance policy for abuse.
Public discourse shouldn’t be something anyone should have to “learn to deal with”. Twitter can, and must, play an active role in being a positive voice among the multitude of violent tweets some of its users dish out. Twitter’s actions here can have life-saving consequences – but it needs to act, swiftly and effectively.
We are now asking Twitter Australia to meet Talitha. Support this call by tweeting at @TwitterAu and asking them to #meettalitha, who started the petition at www.change.org/twitterabuse
The price you pay for activism – but it won’t stop us
[Warning: threatening, sexually violent language]
Caitlin Roper, my fellow Collective Shout activist in the West, has put together this montage of some of the abusive and threatening tweets we receive on a regular basis. We want people to know just how bad this is. We don’t believe women who speak out on issues should be threatened like this. Police have taken no action.
My friend and fellow Collective Shout activist Talitha Stone has launched this petition calling on Twitter to add a report abuse button to tweets. Please support this brave and gutsy young woman.
In June this year, I was subjected to an horrific torrent of abusive tweets from fans of rapper Tyler Okonma on twitter when I challenged his lyrics which encourage rape and violence towards women. The abuse was unbelievable. It included direct threats of rape, and at one point, twitter users tried to publish my address. Worse, I was told by police there was no way to stop it other than deleting my account: letting the abusers win.
Nothing has changed. Recently, Caroline Criado-Perez, who campaigned to keep women on banknotes in the United Kingdom, has been targeted repeatedly, with rape threats over three days because of her campaign. We have to be able to change this – and urgently.
Women should be able to speak out without facing threats of rape and assault.
I’m asking for your help to get Twitter to urgently add a Report Abuse Button to tweets on all platforms. It won’t fix everything – but it’s a good start. We know they’re listening – but they need to move quickly – this is out of control.
At Tyler’s concert, he told his fans he hoped my children got STDs, and “dedicated” songs to me that included lyrics like “punch a bitch in her mouth just for talkin’ shit” – the people who responded to his call to arms are still free to do to everyone else on twitter what they did to me.
It’s time Twitter took a zero tolerance policy on abuse, and learns to tell the difference between abuse and defence. Women standing up to abuse should not fear having their accounts cancelled because Twitter fail to see the issue at hand. This behaviour would have people banned from other public spaces – it’s barely acknowledged as being wrong on twitter.
Please sign my petition to ask Twitter to urgently add a Report Abuse Button to tweets on all platforms.
Statement from twitter:
We hear you
Monday, July 29, 2013
At Twitter, we work every day to create products that can reach every person on the planet. To do that, we must take a wide range of use cases into consideration when designing interfaces or developing user tools. We want Twitter to work whether you are trying to follow your favourite musician, talk to others about shared interests, or raise the visibility of a human rights issue.
We also have to think about scale and volume. We see an incredible amount of activity passing through our systems – there are more than 400 million Tweets sent every day worldwide. Those Tweets not only appear on our site and in our apps, but are also embedded into the fabric of traditional and digital media.
The vast majority of these use cases are positive. That said, we are not blind to the reality that there will always be people using Twitter in ways that are abusive and may harm others.
While manually reviewing every Tweet is not possible due to Twitter’s global reach and level of activity, we use both automated and manual systems to evaluate reports of users potentially violating our Twitter Rules. These rules explicitly bar direct, specific threats of violence against others and use of our service for unlawful purposes, for which users may be suspended when reported.
To the extent that our system is based around the filing of reports with our Trust & Safety team, we strive to make it easier and more practical to file them. Three weeks ago, we rolled out the ability to file reports from an individual Tweet on our iPhone app and the mobile version of our site, and we plan to bring this functionality to Android and desktop web users.
We are constantly talking with our users, advocacy groups, and government officials to see how we can improve Twitter, and will continue to do so. Such feedback has always played an important role in the development of our service. We hope the public understands the balances we’re trying to strike as we continue to work to make our systems and processes better.
‘The pornification of culture and the normalization of (increasingly violent) porn is contributing to a society where pornography, even the most brutal forms, are in many ways sanctioned, defended as well as protected’
By Hennie Weiss
Edited by Melinda Tankard Reist and Abigail Bray, Big Porn Inc: Exposing the Harms of the Global Pornography Industry is a compilation of essays by researchers, experts and activists concerning the harms of pornography. All and all there are 40 written pieces divided into five categories; pornography cultures, pornography industries, harming children, pornography and the state and resisting big porn inc.
Overall, the notion is that pornography has found its way into everyday cultures all over the world. The pornification of culture and the normalization of (increasingly violent) porn is contributing to a society where pornography, even the most brutal forms, are in many ways sanctioned, defended as well as protected through legislation. For example, in the United States the notion of freedom of speech (also called freedom of expression) helps protect the production, distribution and purchasing of porn. The stronghold that porn has tends to be contributed to the enormous profitability and influence of the porn industry. As noted in the book, it is difficult to resist and battle the porn industry as a whole, even though small grassroot movements opposing pornography have made significant gains over the last few years. Yet, more knowledge about the industry, the way it harms women and children (as well as men), and the lasting effects of the pornification of sexuality and culture are important (many articles discusses how porn is the same as prostitution).
Even though the many different contributions tend to deal with various aspects of pornography (within the five categories), there are some statements that are generally agreed upon and reiterated throughout the book. In one way or another all contributions contest the notion (most often used by those in the porn industry and those who are pro-porn) that porn does not cause harm and is a form of fantasy. When discussing prostitution, strip clubs, PTSD, sexual and physical assaults, rape, intrafamilial rape, the sexual objectification of women and the spread of child pornography, it should prove to be difficult for anyone to look at porn like mere fantasy, especially since real women and men are involved in the making of pornography. What the different categories of Big Porn Inc brings to light is the fact that the porn industry is not glamorous, as high-paying as many believe, and that women are sexually objectified, dominated, demeaned and degraded. Pornography has also become increasingly violent, and most scenes or movies include physical violence, rape, or the threat of violence. The notion that women are sex objects who like to be degraded and thrive on physical violence is based on a patriarchal backlash to women’s overall gains towards equality.
Besides stating that pornography is mere fantasy, proponents of pornography also often refer to a lack of evidence, or link between pornography use and overall behavior. But the book has that too. Pornography does not only lead to an increase in acceptance of rape culture, but people who watch pornography are less likely to view sex as an intimate act and more likely to engage in gendered violence. Diana E.H Russel writes in the article “Russel’s Theory: Exposure to Child Pornography as a Cause of Child Sexual Victimization”, that watching child pornography can help cultivate sexual interests in children in several ways. It predisposes men to objectify children, it intensifies already existing desires, undermines social inhibitions and internal inhibitions as well as undermines children’s abilities to avoid, resist, or escape sexual victimization.
It is important to note that many of the contributions include explicit language, profanities and words that describe various ways in which women are demeaned, humiliated and abused when discussing different aspects of pornography. Many contributions also discuss notions of rape, group rape, incest or intrafamilial rape, sexual assault, violence and even the killing of animals. Therefore, readers should note that the material might be triggering to some. Even though the language is often explicit in nature, it is easy to understand the links between harm, prostitution, the degradation of women, patriarchy, power and sexual assault made by the contributors. The personal accounts of Stella and Amy (Stella was a stripper and Amy the victim of intrafamilial rape) contribute to a greater understanding and awareness of the harm of pornography and how women are mentally, physically and emotionally impacted by porn culture.
The intended audience could be anyone, both women and men, who are interested in the consequences and harms of the global pornography industry. With its sharp analysis and research, the book can also contribute to changing, or challenging legislature in terms of discussing the harms of pornography, especially when using the findings that makes connections between watching pornography and overall behavior. The book can also be used in the classroom (even though it might be more suitable for students that are a little older) in gender studies, men and masculinity studies, women’s studies and sociology.
What the book does so well is to capture, discuss, analyze and provide evidence for the many ways that pornography is harmful to women and children. We know that pornography is based on profit, capitalism and a patriarchal worldview and is therefore complicated to combat, but when reading the book it becomes difficult to understand why pornography is legal in the first place.
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Purchase Big Porn Inc, Getting Real, Faking It, Men of Honour, Sexts Texts & Selfies, Raising Girls, Raising Boys, MTR DVD, Ruby Who? DVD & book, Girl Wise guide to friends, Girl Wise guide to being you, Girl Wise guide to life and Girl Wise guide to taking care of your body, for the combined discounted price of $240.
‘The foremost authority in Australia cyber safety lays it on the line and challenges parents to find their digital spine.’ – Dr Michael Carr-Gregg
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In this DVD, Melinda takes us on a visual tour of popular culture. “Melinda’s presentation leaves audiences reeling. She delivers her message with a clarity and commonsense without peer.” – Steve Biddulph, author, Raising Boys, Raising Girls
In this easy-to-read updated book, Steve Biddulph shares powerful stories and give practical advice about every aspect of boyhood.
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Men of Honour -written by Glen Gerreyn- encourages and inspires young men to take up the challenge to be honourable. Whether at school, in sport, at work or in relationships, we must develp our character to achieve success and experience the thrills life has on offer.
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Do you read women’s lifestyle magazines? Have you thought about how magazines might affect you when you read them? Faking It reflects the body of academic research on magazines, mass media, and the sexual objectification of women.
Ruby Who? is the sweet and innocent story of a little girl’s adventure in re-discovering her identity. Ruby wishes for so many things and dreams of being like others. Will she end up forgetting how to just be herself?
Ruby Who? is the sweet and innocent story of a little girl’s adventure in re-discovering her identity. Ruby wishes for so many things and dreams of being like others. Will she end up forgetting how to just be herself?
Defiant Birth challenges widespread medical, and often social aversion to less than perfect pregnancies or genetically different babies. It also features women with disabilities who were discouraged from becoming pregnant at all.